Dave Bloustien’s Grand Guignol

By Lisa Clark

This is an awesome show by master story teller comedian Dave Bloustien. I’ve been enjoying watching his comedic talents grow and improve over the years and have never been disappointed. Dave has been working on The Grand Guignol for some time and all his toils and dragging puppet booths through airports have paid off.

The hour is made of of several tales, all tinged with horror which often comes as a surprise, even though you know it’s how the show is promoted and the house music is made up of great boppy horror classics by The Cramps and The Damned. We are willingly led with humour into dark places by some delightfully demented characters, such as the be-fezed Professor Mahmoud of the Cairo Museum telling the Tale of Tutankhamen’s penis and creepy door to door beat poet Tupperware Jack.

Dave also appears as himself giving the audience a short chance to relax with his own personable style of stand up, explaining how the title and content were inspired by an alternative theatre of early 20th century Paris which was a sort of extreme Punch and Judy with more realistic effects. Thus we are also treated to a gorgeous puppet show framing the stories, using both shadow puppets and hand puppets designed by Henson-trained Lana Schwarcz. These are not the sort of puppets for children, but I think teenagers would love this show.

The Grand Guignol is an impressively planned and cunningly crafted production. The hour flew by with the audience shrieking with laughter and gasping with horror throughout. The narratives, moving from warm and amusing to often surprise horror twists, occasionally reminded me of the style of many modern Dr Who stories. There are so many surprises that I don’t want to spoil. I just recommend that you go along and find out for yourself.

If Dave Bloustien ever has to fight in court again to prove he is funny (see his previous show The Social Contract) – a taste of The Grand Guinol should win his court case effortlessly.

Grand Guignol is on at Trades Hall til April 7

http://www.comedyfestival.com.au/2013/season/shows/grand-guignol-dave-bloustien-s

Ruby Wax – Out of Her Mind

By Lisa Clark

Ruby Wax was one of the new Wave of lady comedians in Britain in the 1980s. These included women she worked with like Jennifer Saunders, Dawn French and Tracey Ullman as well as Victoria Wood and Jo Brand. When you hear people today saying things like ‘I don’t like female comedians’ it makes you realise how hard it must have been for these mavericks. She stood out as the loud American in the UK scene with her work mostly being on television in her interview shows such as Don’t Miss Wax and Ruby Wax Meets
.

Ruby Wax was probably my least favourite of the pack, she was more of an actress than a stand up performer and her ‘obnoxious American’ persona, was just a bit too obnoxious for me. So I wondered why I was there at The Forum and what I would make of this show. I didn’t come because I expected to hear about what it was like to be a female comedic performer of the 1980s but it is strange that this autobiographical show doesn’t touch on her performing. At all.

The first third of her show was packed with humorous stories of growing up, trying to fit in at school and then in the UK and getting married, having kids and having a nervous breakdown. The second third concentrated on mental illness, her time in mental institutions and was grounded in an education that includes a degree in psychology from Berkley and more recently she graduated with a Master’s Degree in mindfulness based cognitive therapy at Oxford University. So it’s not surprising that some of her show became a bit like a comic uni lecture with butcher-paper diagrams and a model of a brain that she brought out on a trolley while dressed in a white coat. The final third of the show took place after a short interval where she took questions from the crowd. One of them tried to ask if her work in comedy was connected to her mental illness in any way but she brushed it off suggesting that her job was no different to her than a plumber or dentist.

Ruby was very funny, intelligent and a compelling storyteller. She created a beautifully written and structured show that despite getting a bit less funny in the serious bits, never forgot it was a comedy show. She didn’t have all the answers for the Q & A at the end but handled it with the expertise and humour that she’s famous for.

Ruby’s on at the Forum til April 5, except for Monday when she’s at Melbourne Town Hall

http://www.comedyfestival.com.au/2013/season/shows/out-of-her-mind-ruby-wax

Dan Willis – Control, Alt, Delete

By Colin Flaherty

A frequent visitor to these shores (and soon to be resident?), Dan Willis always puts on a solid hour of stand up. If you’ve seen him in previous years you know his modus operandi: choose a topic, mine his personal experiences relating to that topic for laughs and use lots of PowerPoint.

This year with Control Alt Delete he has delved into his previous life as a Computer Programmer. The majority of the show takes a nostalgic view of computers and their place in society. Those of us that have travelled in similar circles to Dan (as well as youngsters who have never seen or heard about this stuff) can chuckle at how primitive things appear in hindsight.

For computer geeks there are plenty of references and jokes aimed squarely at them but Dan takes the time to clarify most of them for the layperson. In the hands of a lesser performer “explaining the jokes” would kill all humour, but he is such a seasoned professional that he can pull it off with ease. This doubling up can also be beneficial as people who get the joke first can chuckle as the penny drops for the rest of the room, giving Dan more bang for his buck.
The scope of the show goes beyond computers by exploring peripheral topics (no, not printers!) and cleverly using this technology as analogies for other situations. These ideas are amusing in their examination of the ridiculousness aspects of life as well as gently poking fun at nerdier types.

Dan is a performer who partakes in a lot of banter with the audience, none of it confrontational. Fellow Computer Programmers are called on to confirm and fill in details about technical information while others are polled about the life decisions described in his stories. Not too much humour is derived from these interactions but they create an atmosphere of inclusion. He does however tend to attract pedantic hecklers which he has some funny stories about.
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Willis presents a dependable hour of stand up for the Techno-savvy, luddites and everyone in between.

Control, Alt, Delete is on at Sahara Bar & Restaurant
http://www.comedyfestival.com.au/2013/season/shows/the-funny-side-of-computers-control-alt-delete

11 Good Reasons to see both sessions of Splendid Chaps 4 Tom Baker / Comedy.

Here’s Five Good Reasons To See Splendid Chaps. Only we did Eleven, to match the number of Doctors…

11 Good Reasons To See Ben McKenzie & John Richards Splendid Chaps
(one for each Doctor)

1. It’s Doctor Who’s 50th Anniversary this year, and Splendid Chaps is basically a birthday party. Who wouldn’t attend a 50th birthday party? Some kind of monster, that’s who.

2. If you love humorous yet well-informed and thoughtful discussions about Doctor Who, this show is for you, probably. If you like the phrase “nerdy Tonight Show”
you’ll like Splendid Chaps.

3. It’s also a podcast recording, so your enjoyment will be immortalised forever. Future generations – and your friends right now – will be jealous every time they hear your laugh and will be reminded of the emptiness of their own lives.

4. Splendid Chaps: A Year Of Doctor Who has topped the iTunes Film & TV podcast charts, and sold out previous shows. So they’re a safer bet than your cousin’s friend’s show with the made-up quotes on the poster.

5. Speaking of which, Doctor Who archivist Andrew Pixley called Splendid Chaps “tremendous fun”, Time Out called it “a smash hit” and the Bigger On The Inside podcast called it “semi-professional”.

6. The chaps behind Splendid Chaps are comedian Ben McKenzie (Dungeon Crawl, “patron saint of geek comedy”) and writer John Richards (ABC1’s Outland, Boxcutters podcast). They were born to do this.

7. They are joined by co-host and factmeister Petra Elliott (Melbourne Museum Comedy Tour). Listen to Petra and you’ll actually learn stuff. This show will make you smarter. And smarter is sexier.

8. There’s fabulous guests! ABC3 Steam Punks host Paul Verhoeven and JJJ/Rove’s Dave Callan will talk about Tom Baker in show one, and Fox FM/Outland’s Adam Richard and a super special UK guest (who we can’t name) will be discuss the role of comedy in Doctor Who in show two.

9. There’s fabulous prizes! Thanks to BBC on DVD there’s a door prize where you could win a shiny disc (possibly Shada, or The Ark In Space – Special Edition!).

10. There may be a Dalek.

11. Like any good Tonight Show, they always end with a song. DO YOU END WITH A SONG? No. Case closed.

 

Both sessions of Splendid Chaps (6th and 13th of April) are on at Trades Hall – New Ballroom

http://www.comedyfestival.com.au/2013/season/shows/splendid-chaps-ben-mckenzie-john-richards

DeAnne Smith – Let’s Do This

By Elyce Phillips

At a point in ’Let’s Do This’, DeAnne Smith compares herself to Harry Potter, and while we could

draw a long bow and liken her comedic talents to wizardry, I can’t imagine Harry talks about vaginas

quite as much. Which is a shame, because if there’s anything I took away from this show, it is that

discussions about vaginas are incredibly funny.
 

‘Let’s Do This’ is a show about insecurity and confidence – the insecurities we all have and the

inexplicable confidence we perceive in others. The conflict between having the confidence to be up

on stage and yet having difficulties in everyday social situations is ripe for comedy and both sides

of Smith really shine here. Although she talks at length about her lack of confidence, you are also

reassured that she is very good at sex. Her bit about supremely cocky male comedians is an absolute

highlight.

 
Following the surprisingly boisterous show opening, Smith warned us that she needed to pace

herself, but seeing her up on stage, she appears to have boundless energy. The title perfectly

encapsulates the spirit of Smith’s show. We’re all in it together. It’s been a while since I’ve been in

an audience that’s been so receptive and willing to participate, and this is down to Smith’s skill in

engaging the room. She is adept at creating an open and inclusive atmosphere, freely calling out

closed-up punters with crossed arms early on and reassuring us all that we were in the hands of

an expert. Topics such as feminism and the advertising industrial complex are deftly handled and

spliced in with the faithful standards of poop jokes and ukulele. You’re left in no doubt that DeAnne

Smith is an absolute pro.

 
‘Let’s Do This’ is endearingly relatable and self-depreciating on a meta level. Go with friends, or be

prepared to make new ones very rapidly.
 

DeAnne Smith: Let’s Do This’ is on at the Cloak Room at Melbourne Town Hall until April 21.
http://www.comedyfestival.com.au/2013/season/shows/let-s-do-this-deanne-smith

Cal Wilson is Guilty

by Jayden Edwards 

Energetic, bubbly and young at heart, the local favourite from across the Tasman is always a draw card in Melbourne. In Cal Wilson’s new show, she takes on the role of councillor, experienced life coach if you will. Cal is here to help us, help us face our fears in a open and trusting environment, a open forum on the topic of Guilt.

Before you even see the stage, Cal has got you soul searching, asking her audience members to write down on a piece of paper what we would like to stop feeling guilty about, while queuing. It’s a clever ploy to get you thinking and suck out the audience anecdotes, scattering them throughout her own. There were some doozies this night, and some great ones Cal’s collected from previous shows… sorry, no doctor/patient confidentiality during this consultation.

The topic of guilt is a treasure trove of comedy, Cal recalling her own long held guilts from sibling toy crushing guilt as a kid, awkward teenage sex guilt, awkward religious-god-fearing-boyfriend sex guilt, parent betrayal, son betrayal, the list goes on! It’s a relatable and hilarious timeline of Cal Wilson guilt, what makes us guilty, why, and how do we overcome it.

Cal recalls tales and explores the topic with pep and a sense of child like wonder, if you’re not into the show at the beginning, she’ll wear you down with her enthusiasm and by the end, you’ll be enthralled. Audience participation is gold once she gets there, but sometimes it felt like teacher asking questions none of the students wanted to answer, but like I said, that enthusiasm sucks you in eventually. Her quick wit helps her get the most out of any participation, and takes care of any hecklers/wafflers swiftly.

Guilty is a well balanced mix of masterful tale telling and audience “counselling” that’ll just make you happy, a sure bet.

Cal Wilson is Guilty at The Melbourne Town Hall – Powder Room
http://www.comedyfestival.com.au/2013/season/shows/guilty-cal-wilson-is