Melbourne International Comedy Festival Awards

This year instead of being presented in the middle of the night at the Festival Club as is traditional, The Melbourne International Comedy Festival Awards were instead presented at 1pm in the afternoon at Belleville. It was more relaxed and civilised with drinks and nibblies (and better lighting for photos) and it was great knowing that everyone in the room was involved and invested in the results, but sort of sad that it was restricted to invite only. I was very lucky to be invited, but other fans on the rim of the festival, but just as invested would have been sad (as I was when this happened once in the past) to not be a part of that middle of the night wild excitement and joy when a favourite, or someone you’ve discovered wins an award.

I can’t deny that there was some surprise as well as delight for Sam Campbell’s win. Although he has been performing in Sydney for a while and getting some TV work (you may have seen him on The Checkout), he’s still pretty much under the radar of the general public. We fell in love with his work when we saw Zanzoop! early in it’s run in 2016 and spent the rest of the Festival telling anyone who would listen that they should go and see the strange talk show hosted by a wise cracking alien in a back alley nightclub. This year we loved both shows he was involved with; his own, The Trough and Anne Edmond’s Helen Bidou – Enter the Spinnaker Lounge where he played Helen’s long suffering, very awkward son Connor.

2018 AWARD WINNERS

Hannah Gadsby Presenting The Barry Award from New York

Barry Award, for the best show: Sam Campbell The Trough  

Nominees for The Barry Award:
Alex Edelman (USA)- Just for Us 
Anne Edmonds – as Helen Bidou – Enter the Spinaker Lounge
Tim Key (UK) – Megadate
Lano & Woodley (Colin Lane and Frank Woodley) – Fly!
Rose Matafeo (NZ) – Horndog!
Celia Pacquola – All Talk
Natalie Palamides (USA) – Laid

 

The Best Newcomer: Danielle Walker Bush Rat 

Danielle Walker

This award was presented by Sarah Dodds of Soho Theatre who will be bringing Danielle to London to make her Debut at The Soho Theatre.

Nominees for The Best Newcomer Award:
Paul Williams(NZ) – Summertime Love
Stephanie Tisdell – Identity Steft
Garry Starr – Performs Everything
Lewis Garnham – The Smartest Idiot You’ll Ever Meet
Nadia Collins – Virgin Bloody Mary

 

The Golden Gibbo Award (for an artistic independent production): 

Cam Venn


Cam Venn for 
Charles Horse Lays An Egg
The prize is a Bottle of Red Wine and was presented by Lynda Gibson’s Niece Emma Maye Gibson, also known as Betty Grumble

Nominees for The Golden Gibbo Award:
Sophie Joske and Anna Piper Scott  – Almost Lesbians
Garry Starr  – Performs Everything 
Julia Rorke & Elysia Hall – Not Another F***** B**** In India
Michelle Brasier & Laura Frew
(Double Denim) – Double Denim Adventure Show]

Lano & Woodley

People’s Choice Award:
Lano & Woodley – Fly!

This award signifies that Fly! sold the most tickets at this year’s Festival.

 

The Directors’ Choice Award:
Michelle Brasier and Laura Frew for Double Denim Adventure Show

 

 

The Pinder Prize: Demi Lardner – I Love Skeleton 
This Award funds her trip to the Edinburgh Fringe
to perform at Assembly Festival.

 

 

Heath Franklin

Piece of Wood Award (Peer Award from other comedians):
Heath Franklin – Bogan Jesus 

 

Funny Tonne Winner: Alasdair Bryant (76 Shows)

Deadly Funny National Grand Final winner: Leon Filewood (QLD)

RAW Comedy Grand Final Winner: Bec Melrose (NSW)  
Bec has won a trip to The Edinburgh Fringe Festival to compete in So You Think You’re Funny?.
RAW Runners-Up: Gavin Sempel (VIC), Emma Holland (ACT)

Class Clowns National Grand Final Winners Liam Adam, Carlin Carruth & Kyle Bennett (QLD) as ‘Awkward’!
Class Clowns Runners-Up:
Dusty Diddle (VIC),
Nina Cowley-Mousinho (QLD)
Shiloh Rea (QLD)
Nicholas Doring (NSW)

Simon Munnery’s Fylm School

By Elyce Phillips Fylm School pic

Armed with a projector, several cameras, a mirror and a big screen, Simon Munnery creates avant-garde cinema on the fly in Simon Munnery’s Fylm School. It was a one-night-only special event, with a dream team of a guest cast keeping the eager crowd laughing.

Simon Munnery’s Fylm School is an absurdist delight. While Mick Moriarty provided improvised musical accompaniment on guitar, Munnery amused and befuddled the audience in equal measure with his musings on Melbourne’s architecture, Venn diagrams and racism. The projector set-up was used to great effect, particularly with a series of brilliantly lo-fi animations created from paper and various moving pieces. Munnery plays with language and makes it feel effortless. Each little comedic snippet has a musical quality to it, beyond the backing track. Munnery’s words ebb and flow, kick and dart, then smack you across the face with something hilarious. He truly is a unique presence on the comedy scene.

Performing alongside Munnery and Moriarty were a selection of comedy festival guests. Adam Hess flipped through a book of assorted stick-figure drawings on the projector screen, firing off witty one-liners that had the audience in stitches. Alex Edelman told the story of the year his Orthodox Jewish family did Christmas – a tale that was both painfully funny and awfully endearing – using a selection of props and iPhone photos to illustrate the narrative. David O’Doherty rounded out the evening with some business pitches, throwing out some bizarre rapid-fire app ideas accompanied with illustrations.

Simon Munnery’s Fylm School is outside-the-box comedy that plays at the height of the audience’s intelligence. If you’re after a sophisticated dose of silly, hurry to book in should it ever return to Melbourne.

Simon Munnery’s Fylm School was a one-night-only event. Munnery’s other show, And Nothing But, is on at Melbourne Town Hall until April 17.

http://www.comedyfestival.com.au/2016/season/shows/and-nothing-but-simon-munnery

The Temps

By Colin Flaherty

In this comic play written by Sarah Bennetto we are thrust into the unforgiving and uncaring world that is a temp office worker. Sarah plays the put upon receptionist who attempts to get through the work day with the least amount of scars.

This world is populated by oddball people with weird eccentricities who are brilliantly portrayed by the cast. We have the terse Department Manager (played by Celia Paquola), the barely functioning CEO (Tom Webb), the lecherous pants man (Robin Clyfan), the more important than he seems Janitor (James Dowdeswell) and the scheming fellow temp (Alex Edelman). These hyper-real characters are ones that those who have ever worked in an office will recognise.

Often the audience is cleverly included in the office environment to expand the world beyond the stage which is quite fun. There is also a fair bit of de-construction with some witty, knowing winks to the audience that emphasised the light-heartedness of the piece. At times it seems as though the performers are trying their darnedest to improvise bits in attempts to throw their fellow cast members (and regularly succeeding). The decision to highlight the deviation rather than plough onwards gives the show a fun, loose feel and highlights their enthusiasm for the material, although an audience looking for a tightly scripted play may find this annoying.

The staging is quite simple with basic office furniture and characters frequently entering and leaving from either side of the stage. The high volume of foot traffic gives the plot a sense of speed in spite of the static scenes of dialogue. Although the transition between scenes isn’t always clear, the action takes place over a number of days so it gets a little disorientating at times.

It’s a show that dips its toes into the cringe comedy of other office based productions but doesn’t get too dark as it tells an interesting and amusing tale. Get a hold of all of your workmates and spend an hour in this disfunctional workplace.

The Temps is on at the Pleasance Courtyard.
http://www.edfringe.com/whats-on/comedy/temps