Kiwifruit – An Autobiography

By Colin Flaherty

Simon Hawkings has been kicking around the Melbourne scene as part of sketch troupes and performing with the Improv Conspiracy. In Kiwifruit he branched out on his own with a one man cavalcade of characters in a story that was funny and personal.

The show was framed in a wonderful manner – the elderly Hawkings addressing his large family with the subtle sound of a crackling fire setting the scene for this lounge room chat. He engaged with us (his descendants) in a delightful way and, even though we weren’t sure how he expected us to respond, it was a great device. When he was addressing no one in particular it made us feel part of the family, relieved that we weren’t the one being scolded.

As he recounted his life, Hawkings played all the parts of various people close to him using simple costuming to transform between them. It wasn’t a particularly extraordinary life but he found plenty of laughs in New Zealand suburbia. Characters including his manipulative mother, bullying brother and inner demons, all were played big and broad to sell them perfectly. There were a couple of scenes where the relevance to his life was a little tenuous but they were wonderfully exaggerated and fitted in well thematically.

The narrative was propelled along at quite a good clip – belting out some songs as exposition dumps and spouting plenty of amusing lines to tickle your fancy. He milked excessive repetition as a joke for all its worth but his cheeky demeanour gave him the narrowest of passes. There were some dark moments in the show in which he didn’t quite extract enough humour to cut through the seriousness. It was during these times that it felt like more like therapy on stage rather than comedy but hey, contrast is a good thing.

This was a great solo outing from Hawkings which highlighted his talent as a wonderful comedic actor. Bravo sir!

Kiwifruit – An Autobiography is on at Crowded in the Vaults until September 22
https://melbournefringe.com.au/event/kiwifruit-an-autobiography/

Creatures Lost

By Lisa Clark

The performance group Picked Last for Sport are an impressively multi-talented bunch of artists and they have created a delightful Fringe show with original songs, handmade puppets, charming characters and silly choreography. The songs are intelligently written and catchy, the stories are compelling, the jokes funny, the singing in tune with beautiful harmonies and they are all very good puppeteers. The theme of species extinction is fairly serious one, but the talented team of performers have found ways to make the show very funny and accessible.

We are welcomed into the room by a turtle who is on stage as we arrive. The first thing to impress me about Creatures Lost is the puppetry. Not spectacular but simple and extremely well done in a Muppet kind of way. The Dancing Dodos were wonderfully silly, and then the woolly mammoth came out to move our hearts and make us giggle, I think she was my fave because it was such a fantastically realised puppet and made from a woolly jumper. No, no… it’s more ingenious than you are imagining and one of the most gorgeously sung songs on the night. The Orangutan was also a truly showstopper of a puppet. It’s song was a lament and the performance suitably sweet and sad. The group was smart enough to have most of the humour play out around the already long-extinct animals and the poignant numbers were given to animals that are alive but endangered.

Creatures Lost is a cabaret show so is mostly made up of a collection of musical numbers which are all different in style and vibe but all about the same topic and amazingly pretty much all really entertaining and catchy. There are dance numbers that are simply and often amusingly choreographed. It’s actually hard to pick a highlight because they were all highlights. The T Rex Rap is the first funny song with fantastic dinosaur masks. The Sabertooth Tiger brings some 1960s GoGo to the stage, the Thylacine is a 1940s film Noir style jazzy mystery man and there is also a singing cowboy.

Despite the puppets this was not actually a “kids show” as such, but it is one you can take your kids to and they will love it as much as you do. The themes of animal extinction and climate change are very relevant but the show is only gently political and not too didactic. Yes, some of it is preaching to the converted, a Fringe audience at the Butterfly Club are unsurprisingly onside but I loved it anyway. There was a beautiful balance of the funny and the serious along with some very interesting true stories. I could see Creatures Lost as it is now easily touring schools and community groups successfully. This is not a highly polished production but it is a very entertaining one. The beautifully made puppets show that with a bit more money this wildly talented team could really do amazing things.

Creatures Lost is on at The Butterfly Club until September 22
https://melbournefringe.com.au/event/creatures-lost/

5 Good Reasons to See How Dare You

1. It’s a stand up and storytelling show that covers everything from estranged cat-parenting to a late 20s Autism diagnosis, so there’s truly something for every one.

2. There’s definitely no ukulele involved. But there is a ukulele on stage. Such. Tension.

3. I’ve noticed a lot of other people on this page are people I do improv with. It’s important I do better than them because if there’s one thing we learn from improv, it’s every man for themselves..

4. A fortune teller told me this show would end in a terrible fire, as such the absolute worst thing that could happen at this show is that we all perish in a terrible fire.

5. Writing this show is the probably the scariest and best thing I’ve ever done, it means everything to me to share it with you.

Kate Chalmers performs How Dare You at the Rattlesnake Saloon Sept 26-28

https://melbournefringe.com.au/event/how-dare-you/

5 Good Reasons to See This Is Our Pilot

1: Boy oh boy, we can’t wait to share with you all the reasons to see This Is Our Pilot!

2: Just 5 reasons! Wow, better think of the very best ones so people get excited to see This Is Our Pilot!

3: We reckon we could come up with way more than 5! Our creativity is endless!

4:

5: We’ve made a huge financial commitment and decided against all advice to self produce we’ve really found ourselves in quite the pickle not to sound desperate but ok we’re desperate even with selling 30% of seating our losses are not even close to covered also Annie’s mum isn’t coming out of spite because she told her performance was not a viable career But mum it’s just for fun we’re having fun ok mum fine you got us are you happy now if you’re still reading this psychotic ramble please you have to buy a ticket full price and one for a friend too you owe us come on please we’re so sorry for yelling we’ve just been under a bit of stress because we are creating and performing a Fringe Festival show at Coopers Inn called This Is Our Pilot.

Annie Lumsden and Lena Moon perform This Is Our Pilot  at Coopers Inn Sept 20 – 27

https://melbournefringe.com.au/event/this-is-our-pilot/

5 good reasons to see An Inconvenient Comedy Show

1. Variety. You’ll get to see an awesome line-up of progressive comedians talking about current affairs and social issues.

2. You’re supporting good comedy and a good cause. Every ticket helps provide funds for the family of Tanya Day. So not only will you laugh your ass off, you’ll also be supporting justice for Tanya.

3. You’ll (finally) get the answers to life’s most important questions: like who is the leader we need in these trying times – Albo, Scomo, or that goat who yells like a human?

4. There’s pedigree. Last year the crew sold out their Fringe show Sustainable Standup. And they’re likely to sell out again — so book your tickets quickly!

5. Pauline Hanson is still a thing. So we have to laugh, really.

An Inconvenient Comedy Show is on at Crowded in the Vaults – Vault 11 til Sept 29

https://melbournefringe.com.au/event/an-inconvenient-comedy-show/

Sweet and Sour Dilemmas

By Hooi Khaw 

Sweet and Sour Dilemmas serves up the perfect balance of side-splitting comedy and heart-warming character work. Crafted from personal experiences and ideas, writer/performer Brendan Wan draws in the audience first through comedy, then through emotionally truthful storytelling that packs a punch.

As soon as the audience steps into the theatre, they are introduced to the main character, Chef Chung. Chef Chung is immediately likeable, utilising tongue in cheek humour to get the audience onside before delving deeper into the narrative.

Though the show touches on the idea of stereotyping and racial discrimination, Wan manages to maintain tonal levity, and avoids preaching. He creates a safe space to share these experiences without judgement. The beauty of this work is
how deftly Wan alternates between the honesty of these moments, and the light-hearted nature of his jokes, juggling both with ease and precision.

Though the narrative is filtered through the lens of a very specific character that has led a very specific life, the content is extremely relatable. Wan compels the audience with a one-way conversation that examines love, life, work, and family, with a particular focus on identity – our need to carve out our own, in conflict with our need to fit in.

Sweet and Sour Dilemmas masterfully explores the human condition through a migrant tale. Stripped of the specifics, the content is highly relatable to any human being. This show will have you in tears, trying to figure out if you are laughing or crying, and will give you additional insight into the complexity of multicultural identities. Wan does an exceptional job of emphasizing that there are a multitude of different versions that exist, and also highlights that all of our stories are the same at heart.

Sweet and Sour Dilemmas is on at the Trades Hall.

https://melbournefringe.com.au/event/sweet-sour-dilemmas/