Interview with Tegan Higginbotham about being Touched By Fev, and other things…

By Lisa Clark

Tegan Higginbotham has been around the Melbourne comedy scene a long time, yet still seems like a fresh faced kid. Last year she told us about her new hobby – professional boxing in her debut solo standup show Million Dollar Tegan which gained a lot of praise and thankfully didn’t end with her coach euthenising her. This year she is talking about her childhood obsessions in Touched by Fev. She began her comedy career performing wild fast-paced sketch shows with Rob Lloyd and Adam Mckenzie as the Hounds. This has morphed into Watson without Rob and they will be performing Once Were Planets this year. Apart from her work with Watson and her own stand up solo show, she will be doing her regular Monday night spot at The Shelf at the Melbourne International Comedy Festival this year. Tegan is clearly very busy at the moment, but she kindly found some time to answer my questions.

How Long have you been doing comedy and how old were you when you did your first comedy gig?

I was 17 when I did my first gig. So I’ve performing for 2ish years. (ish).

Did you always want to perform on stage?
Unfortunately, yes. I was that annoying kid who made my parents sit down every night to watch my latest piece of theatre. I just never would have thought that one day I’d actually be enjoying them laughing at me.

Who in comedy has inspired you?
Celia Pacquola, Judith Lucy, Nick Cody, Justin Hamilton and my good friend Adam McKenzie.

Does your work with Watson inform your stand up and visa versa?
I think that the joke writing skills I’m learning from stand-up have most definitely helped with my writing for Watson. But I was actually surprised how little all the years of performing sketch helped when I finally got the balls to get up on stage by myself. It was a whole new game. I kept running out of breath because I was waiting for someone else to start delivering lines but it NEVER HAPPENED

Do you think the timing and running around with Watson helped you be a better boxer?
“Better” would imply that I’m any good. I’m terrible at boxing. Just ask the trainers.

When did you decide it was time to do solo standup?

I felt like it was a natural progression. And I’d been hanging around with stand-up’s for so many years I felt it would have been wrong not to give it a go. But specifically, I was 21 when I bit the bullet.

Was it hard to step out on your own away from the support of Adam McKenzie & Rob Lloyd?

Absolutely. Not only in the sense that performing solo was difficult, but the support they offer after a show is invaluable. When you’re part of a group, you all ride the hard shows together and share the blame, so to speak. Whereas having to pick yourself up after a bad stand-up set can be a very tricky task indeed.

Did they prepare you for life as a comedian?
Adam and Robby taught me right from the get-go that to be a successful comedian you have to work incredibly hard. During our very first comedy festival we would often be performing three times a night, so doing that now seems quite natural. In this way, they did help. Robby and Adam also exposed me to a very unique style of comedy that I would have missed completely had I just gone straight into stand-up and I’m very lucky that I got a fabulous opportunity to experience that and experiment with them on stage.

When you were growing up did you ever see yourself as a comedian, who punches people as a side hobby?
I saw myself as Ripley from Aliens. So the punching thing was certainly there. It’s the comedy I’m surprised by.

Have you enjoyed working on The Shelf?
Defintely! But it still scares me. Sometimes I find myself standing on stage with people who are SO much better than me and I have to stop myself from freaking out or yelling “You’re from the TV! Say hi to my Mum!”

How do you plan to juggle 3 shows at this years MICF?
With a mixture of coffee, Lindt and pure adrenaline. Wish me luck.

Have you done much hosting at comedy gigs?
A little bit. I’m hoping to do more and more over time. It requires a really fabulous set of skills that I haven’t quite mastered yet. Harley Breen, who is another comic I look up to, once pointed out to me that when you’re performing a solo-show, you ostensibly have to be your own MC. So it helps to be good at it.

When did you start thinking about this as a topic for a festival show.
A long time ago, actually. I usually think of my shows long before I attempt to write them. In fact, I already know what my very last show will be.
I second guessed “Touched By Fev” a bit and considered doing something else for a while. But for me, there was too much to talk about and I’m genuinely interested in the subject matter. It felt right.

How do you write a show, in bits and pieces, in big chunks?
I actually don’t have a set style of writing just yet. Last year it was matter of experiencing boxing, then simply taking note of what happened. This show has involved more research and delves a little further in to personal stories.

Are you disciplined, do you have a routine or is it more organic?
Organic.

Do you think you can make this festival show appeal to people who know nothing of Aussie Rules or Brendan Fevola?
The show is also about Harry Potter, so I’m hoping that if people aren’t massive AFL fans, they’ll come for the Potter instead. That being said, I have written this show with a non-sporty audience in mind as well, and I’m pretty sure that they’ll still understand everything hat’s going on.

What’s your favourite thing about taking part in the Melbourne International Comedy Festival?

I have been thinking about this answer for 20 minutes now. I just have to pick something, don’t I?
Um…oh god! It’s so many things! It’s the laughter; both from an audience and from myself as I watch Adam try to keep a straight face each night. It’s the incredibly warm feeling you get when someone enjoys something that you’ve written. It’s huddling with other comics on the steps of The Melbourne Town hall and sharing battle tales. It’s feeling a little bit spesh for a whole month. It’s meeting new people and eating pizza at 1am on Swanston Street and so many things. I honestly can’t choose.

Tegan Higginbotham’s Touched by Fev is on upstairs in The Spleen Bar throughout the Festival – There are NO performances Mondays, Fridays & Sundays

http://www.comedyfestival.com.au/2013/season/shows/touched-by-fev-tegan-higginbotham

Watson – Once Were Planets is on at Trades Hall

http://www.comedyfestival.com.au/2013/season/shows/once-were-planets-watson

The Shelf – is on for three nights at Toff of Town

http://www.comedyfestival.com.au/2013/season/shows/the-shelf

 

5 Good Reasons to see Cinema Fiasco, Tegan Higginbotham Touched By Fev and Watson – Once Were Planets

5 GOOD REASONS TO COME TO CINEMA FIASCO
1. The movies shown at Cinema Fiasco are very bad but also very wonderful.

2. Everything you need to know about bad movies is explained by two experts in their field.

3. For once you’ll be glad there are people talking in the cinema.

4. You’ll be part of an occasion once lovingly described as “church for weirdos”.

5. Hosts Geoff Wallis and Janet A. McLeod are well-dressed and strangely attractive.

Bookings to see Geoff Wallis and Janet A. McLeod take the mickey out of some outrageously silly films http://www.comedyfestival.com.au/2013/season/shows/at-cinema-nova-cinema-fiasco

 

5 Reasons to see Tegan Higginbotham Touched By Fev 

1 After a stellar 2012, Tegan will this year be attempting to end the war between Bogans and Nerds by creating Touched By Fev, a show about Harry Potter and Brendan Fevola. If you come to Touched By Fev, you won’t just be seeing a show…you’ll be witnessing history!

2 If Touched By Fev doesn’t go down well, Tegan will have no choice but to start doing shows about more accessible and mainstream subject mater along the lines of  “Tegan Higginbotham in Relationships and Public Transport”. Yuck!

3 Tegan goes to great lengths in order to put together her shows. Last year she took several hits to the head. This year she tracked down one of the AFL’s most notorious players…and had coffee with him. Find out which was more damaging.

4 Tegan doesn’t speak in the third person during her show, unlike when she’s writing “5 reasons to see my show” lists.

5 This show will be as mature & classy as it’s title.

Tigkets to hear Tegan’s childhood love for Fev AND Harry Potter – http://www.comedyfestival.com.au/2013/season/shows/touched-by-fev-tegan-higginbotham

 

5 Good Reasons to see Watson – Once Were Planets
1 Once Were Planets is going to be Watson’s biggest, most ambitious show to date. Don’t miss this opportunity to see what happens when Tegan foolishly says to Adam “Sure, we’ll do whatever you want…”

2 This isn’t going to just be a another science-fiction nerd show. Once Were Planets is also a Science-Fiction Drama, Science-Fiction Comedy and Science-Fiction Science-Fiction. There’s something for everyone!

3 Not only will Liam Ryan be gracing the Watson stage again (YAY) but he’ll also be joined by award winning puppet company “The Indirect Object” who will attempt to bring Adam and Tegan’s odd imagination to life.

4 Once Were Planets has it’s very own soundtrack which will be performed live each night by the extraordinarily talented Gillian Lever. So if Adam and Tegan go too far off script and lose the audience, you can always just listen to the pretty music.

5 Aliens, space-ships, explosions and NO BURLESQUE whatsoever.

Another way to see Tegan Higginbotham with Adam McKenzie & friends as Watson having fun in space – http://www.comedyfestival.com.au/2013/season/shows/once-were-planets-watson

Tegan Higginbotham in Million Dollar Tegan

By Lisa Clark

When Tegan announced at a gig that she had signed herself up to train for a professional boxing tournament you couldn’t help but think that this was a bit of an extreme way to go about creating material for a festival show! She just doesn’t look like a boxer which of course she plays to great comic effect. So the first part of the show is about convincing us that boxing is something she really wanted to do, just as she, no doubt, had to convince disbelieving friends and family.

Though 24 Tegan Higginbotham looks like a highschool girl and not the sort of girl who gets boxing experience from punch ups behind the bike sheds. It’s also hard to believe that Tegan is almost a veteran of the Melbourne comedy scene starting in Class Clowns in 2005 and then in the following year getting together with Adam McKenzie and Rob Lloyd as part of The Hounds trio and now with Adam as Watson the duo and part of the team who puts together The Shelf comedy nights and podcasts.

Years of comedy experience and performance training are evident in her confidence and all the work that has gone into making this a successful production. Tegan is savvy and lucky enough to have one ofAustralia’s most skilled comedians Justin Hamilton to direct her debut festival show. She has also been around the comedy traps trying out parts of her show for many months and it has paid off with a polished performance that has laughs all the way through. Tegan has no props or film footage (as promised in the Fringe Guide – apparently it did not trial well with test audiences) instead, with only a few dramatic lighting changes and her passionate oratory skills, she has us in the gym with her.

Tegan brings all the colourful characters of the gym to life but when she finally finds herself in the ring in front of 1,500 spectators, wearing oversize shorts and smelly 2nd hand gloves it was shocking to me that she knew the moves but had no game plan or knowledge of how to start the match. Let alone how to deal with the confronting issue of having to punch a dear friend in the face and receive blows in return. As a trained performer it is fascinating that Tegan has chosen to be both a comedian and a boxer, she obviously has some seriously masochistic tendancies!

The show is at it’s most impressive at the end where Tegan holds the audience in the palm of her hand as her comedic story culminates in the riveting, dramatic account of her first professional fight. Not surprising then that this was nominated for Best Newcomer at The Melbourne International Comedy Festival. New jokes about current issues prove that the show has not rested on it’s laurels, Tegan has revisited it with a professional refresh. This is definitely a show worth revisiting and if you’ve not heard of it, it is a festival must see.

Tegan Higginbotham in Million Dollar Tegan is on at The North Melbourne Town Hall until October 13th

http://www.melbournefringe.com.au/fringe-festival/show/tegan-higginbotham-in-million-dollar-tegan/

Melbourne Fringe Festival 2012

By Lisa Clark

The days are getting longer and warmer and its time to come out of winter hibernation and spring into Melbourne Fringe Festival. The comedy section is the biggest category in the programme, but its important not to ignore the comedy related shows in the other categories such as Lisa-Skye’s talk show Art, Sex and Snacks. in the Special Events section, Geraldine Quinn’s The Piano Has Been Drinking in the Cabaret section, Die Roten Punkte’s Battle Royal in the Circus section and Diana Nguyen (from the fabulous Phi & Me) in 5 Ways to Disappoint Your Vietnamese Mother in the performance section and there are plenty of others to discover.

It’s always exciting to get a chance of catching up with Melbourne International Comedy Festival shows you might have missed, esp if they were sold out. This year you can catch up with the Barry Award winning Dr Brown: Befrdfgth, Damian Callinan’s The Merger, RAW and Golden Gibbo winners Lessons with Luis – Luis Presents: Kidney Kingdom, Neil Sinclair in Panic, Best Newcomer at MICF Tegan Higginbotham in Million Dollar Tegan and Truth by Slow Clap.

There are also brand new shows from established comedians and unknowns entering the fray, doing comedy in all sorts of styles and genres with the odd intriguing entry like musician Pinky Beecroft doing a stand up show called Mainstream Freak.

Although the festival has already begun there are a lot of comedy shows beginning this week. Most have only short runs, though, so get in quick.

Information about all things Melbourne Fringe can be found at their website http://www.melbournefringe.com.au

The Melbourne Airport Best Newcomer Award Nominees are….

The Melbourne Airport Best Newcomer Award Nominees were announced at Wednesday night’s Festival Club

The four nominees are:

Luke Heggie – Master of None

http://www.comedyfestival.com.au/2012/season/shows/master-of-none-luke-heggie/

Matt Okine.

http://www.comedyfestival.com.au/2012/season/shows/being-black-chicken-s-t-matt-okine/

Ronny Chieng – The Ron Way

http://www.comedyfestival.com.au/2012/season/shows/the-ron-way-ronny-chieng/

Tegan Higginbotham – Million Dollar Tegan

http://www.comedyfestival.com.au/2012/season/shows/million-dollar-tegan-tegan-higginbotham/

The winner will be announced Saturday 21st April with the grand prize of a trip to the Brighton Comedy Festival in the UK.

WATSON –Shakespeare Fight Club

By Elyce Phillips.

Imagine, if you will, a battle royale where your weapon of choice is Shakespearian verse. Your guide is Caliban. Your enemy, Tybalt. Now imagine it in a small room in the Victoria Hotel, with next to no budget and a smattering of Star Wars references and you have something like Shakespeare Fight Club.

WATSON (Tegan Higginbotham and Adam McKenzie) are joined by Cameron McKenzie and Liam Ryan in bringing this stage spectacular to life. The whole production feels like a play a bunch of kids are putting on in their backyard. The props and set are made from bits and pieces from Bunnings, the costumes are huge, and the levels of enthusiasm are through (the incredibly low) roof. If you’re after a polished piece of comic theatre, this isn’t it. This late night show is hilarious chaos. Shakespeare Fight Club seems to be a show that the comedians are going to see. There were several in the audience the night I went, and it made the show self-conscious at times, as though they were playing to the comedians rather than the whole audience. One laughed exaggeratedly at a few jokes that missed the mark, which disrupted the flow of the show early on, however this was turned around to great effect during a scene in which Higginbotham hypnotizes McKenzie.

But Shakespeare Fight Club has some great moments. Liam Ryan’s Caliban is creepy in the best possible way. The fight scenes are brilliantly choreographed – there is even some shadow puppetry. The on-stage relationship between Higginbotham and McKenzie is one that really works. Higginbotham’s self-interested straight woman is the perfect foil to McKenzie’s endearingly dorky fool. The jokes are hit-and-miss, but they are delivered with such gusto that you just don’t care.

Shakespeare Fight Club is Shakespeare as it is meant to be seen – violent, very silly and full of dick jokes.

WATSON’s –Shakespeare Fight Club is on in the Acacia Room at the Victoria Hotel until April 21

http://www.comedyfestival.com.au/2012/season/shows/shakespeare-fight-club-watson/