Interview with Josh Earl and Ged Wood about Clued UP!

By Lisa ClarkĀ 

Melbourne has been blessed by the influx of talented comedians from other states and a generation of the best musical comedians in the world. Tasmanian born Josh Earl fitted into Melbourne scene straightaway building a strong following and fine reputation over many years with his warm family based tales, funny songs and interesting hair. We spoke to Josh about his latest project, hosting a live quiz called Clued Up! which is being performed at Wesley Anne barĀ in groovy Northcote on two Sunday afternoons in August.

We also spoke to its creator and producer Ged Wood who was once a standup comedian and now produces a lot of comedy for television including the Warehouse Comedy shows, Spicks & Specks,Ā Myf Warhurst’s Nice, and the sadly lamented Letters and Numbers.

First up, Josh Earl…

L: How long have you been doing standup?

Josh: This year marked my ten years as a comic, which makes me only forty years behind Fred Basset

L: What got you started as a performer?

Josh: I was in Launceston and part of an improvised/soap opera thing (It was better than that sounds) and each week I would come out and play a song. A guy in the audience wanted to do a stand up night, of which Launceston had none, asked me to perform and so I did. At that gig a guy was in the audience from the University, and he was bringing down Rod Quantock and Duff and wanted me to MC the event. After that gig I was pretty much hooked.

L: Do you think winning the Best Costume in the Brooklyn Primary School Fancy Dress Parade three years running from 1986 to 1988 gave you the taste of fame that got you hooked?

Josh: No, but it did get my Mum a lot of enemies at the school gates of Brooklyn Primary school around those years

L: Who has influenced you?

Josh: When I was starting out my act was entirely music and I was heavily influenced by musicians such as Jonathan Richman, Belle and Sebastian and The Lemonheads, a lot of my earlier songs share similar chord structures to Lemonheads songs (Don’t tell them). But in terms of Stand up my influences are mainly my family seeing as a lot of my act is talking about my parents and my childhood growing up in Burnie, that’s influenced me way more than any comedian has.

L: You have a young family, how does this go with being a comedian?

Josh: I try not to talk about it too much on stage as I feel that half the majority of audiences at comedy clubs don’t have their own kids, and those that do are looking at me thinking ‘he looks too young to have a kid, do you think it’s true or just a bit?’ So when I do talk about being a Dad it is in the context of something else such as Skyping my Mum, or a story about how my Dad will sit on the toilet with the door open.

L: I get the impression that your mate and sometime comedy partner Justin Heazelwood (The Bedroom Philosopher) sometimes struggles about whether he is being pigeonholed as a comedian or a musician. (Tripod too) Have you thought about being a straight musician? Or do you see yourself as an ā€˜All Round Entertainerā€?

Josh: I know my capabilities as a musician. I am an average guitar player and singer, but I think I’m a very good songwriter and storyteller. I see myself more as a comedian who uses music. With my festival shows I think the breakdown in the last couple has been 25 minutes of songs, 35 minutes of stand up.

L: What in your career do you think has prepared you for hosting a game show?

Josh: I think I’m a good listener, and I’m very punctual. I think that means I can hear when they answer the questions and I will turn up on time to start the show. Also I am a very quick talker so if the show has a fast money round we’ll get through a bunch of questions

L: Are you performing at Melbourne Fringe this year?

Josh:Ā I am performing one night at Asher Trelevan’s show Ā The Experiment which sounds like it will be great [Asher describes it asĀ a kind of ā€˜anti-comedy comedy clubā€™ with Caribbean music, someoneā€™s small dog and the best of Melbourneā€™s odd-ball comics.]

L: Tell us about Clued Up!

Josh: Clued Up! is basically a game show withĀ competingĀ teams of comedians, but as it is the brainchild of Ged Wood, I’ll get him to answer the rest of the questionsĀ 
– Ged?

L: Who else is working on Clued Up?

Ged: Well creatively and conceptually it’s pretty much just me…these shows a really a test run of the format. In terms of talent I’m really really excited about the people who have taken a leap of faith and come on board. Not Least Josh Earl who agreed to host without much convincing. Then there are the players, some old comedy mates of mine and some fresh faces as well. I’ think there is a good spread of performance styles and personalities. You can check out all the line ups on the website clueduptv.com

L: Is August a bit thin on the ground for comedians ā€“ because of the Edinburgh exodus? Have you had problems finding guests for the show?

Ged: From my initial list I had to strike 10 to 15 people off straight away due to Edinburgh which was a shame. Luckily we are in Melbourne and my list of people I wanted to be part of this was quite long due to the fantastic talent we are spoilt with. I actually find it helpful in a way sometimes to have your list of available people cut short. It means you have to make less hard decisions!

L: Do some performers balk at being on a game show because they are worried about looking like dills if they get the answers wrong?

Ged: In all honesty it only came up once and that person said, “you know Ged I will probably not know any answers I hope you don’t mind if I look stupid cause I don’t”. The most popular people on Spicks and Specks weren’t the ones that knew the answers (Hamish Blake, Ross Noble, Frank Woodley).

L: Is this a long term on-going gig, or are you doing a short season of shows?

Ged: A short run of two dates. Filming the second date. Hoping some savvy TV executive will come along and decide it’s the next big thing and snap it up. Otherwise, if people like it I could foresee doing more dates. Perhaps something in the Fringe Festival.

Clued up!Ā will be presented atĀ Wesley Anne, 250 High Street, Northcote on August 11th and 18th atĀ 3:00 PM – 5:00 PM.

Comedians being quized by Josh will include: Adam Richard, Adam Rozenbachs,Ā Claire Hooper, Emily Taheny,Ā Harley Breen,Ā Justin Hamilton,Ā Kate McLennan,Ā Lawrence Mooney,Ā Nick Maxwell,Ā Rusty Berther,Ā Tegan Higginbotham, andĀ Xavier Michelides

Check The WebsiteĀ clueduptv.comĀ for more information

http://www.stickytickets.com.au/12120/clued_up.aspxĀ for tickets
$15 seated
$10 Standing

MICHAEL WORKMAN INTERVIEW

By James Shackell

Since emerging from Perth in 2009 to win RAW Comedy, Michael Workman has taken out nearly every award for being funny the country has to offer, along the way gaining a reputation for whimsical narratives, haunting poetry, and eyebrows that move as if independent from his body (although that may be just this critic’s opinion). This year he returns to the festival with Ave Loretta, a dark comedy about depression, loss and expectation. I met up with Michael at a cafe on Swanston Street to discuss the new show.

So tell me about Ave Loretta. What’s the story?

It’s hard to talk about it without making it sound like something it’s not. It’s about a successful musician who travels back to his shitty home town to visit the grave of his muse who committed suicide. When people ask me what it’s about, that’s kind of what I’m obligated to say because technically that is what it is about, but it’s hard to picture that being funny.

Well you are known for going into dark and different places with your comedy. Is that your intention?

Well I bring it on myself. I did a show about political unrest in Cuba and freedom of speech, which again is not typical subject matter for comedy, and really to expect people to go, ‘Hey! Go see this hilarious thing!’ is possibly a bit much. But that being said, it is funny, and it is a comedy show. But that’s probably not the focus. I like to use comedy as a vehicle to convey loftier concepts.

And what are the concepts this year?

Well this year the show is kind of a departure from my other stuff because it’s quite morally ambiguous. There’s no distinct moral conclusion to this show, it’s pretty open ended. So I’m really just trying to get people thinking about depression and suicide and banality and how that affects the human experience. This was something that was important in my life, certainly before I started comedy. Those were the sort of battles I was going through. But I wanted to fictionalise that story a little bit and give an impression of it, rather than an autobiography.

What were you doing before comedy?

I was making music. I was writing scores for theatre, and drinking heavily. Those were my two main interests at the time. Comedy seemed to be the panacea for that. I pretty much stopped immediately after I started stand-up.

Do you feel pressure to back up with this third show?

Yeah definitely. This was certainly the most difficult show to write. Because I felt like I was maybe falling into a formula with doing these fables, these very symbolic shows, and then I decided to get out of that by doing a really gritty, down-to-earth story with very little whimsy. This is dark as hell. People should be expected to be very surprised that they are laughing at some of the things they’re laughing at. And they should expect that I won’t pull any punches. This is an intense subject and I’m not going to make light of an intense subject, but I am going to find the humour in it. This is definitely got the biggest chunks of real me in it.

Did it feel like therapy writing it?

Yeah to an extent, it did. Having to come up with ways to express what I meant in ways that maybe people who hadn’t experienced it could understand; I think that’s actually been really helpful to unravel some of the problems. But I should say that this is not about my therapy, which had a positive outcome. This is about other people.

Your shows always have a narrative. What do you think story can bring to comedy?

I feel this compulsion to get maybe a single idea across in each hour. So I think of a show as a potato – coz like a potato is like a big sack of starch, and that’s the part that we eat, and that’s the part that we like, but the whole point of that big sack of starch is so that a tiny sapling at the top can poke through and survive. So the audience prefers the starch – you can fry it, mash it, have it with some duck, but the sprout is the point I’m getting across. The sack of starch is just what makes it edible.

So what do you find funny?

Honesty and self awareness. People who can stand back and see exactly who they are objectively are very amusing to me. People who deconstruct what’s going on in their social interactions and that kind of thing without being awkward.

And who are you objectively?

Oh God. Look I think it changes from situation to situation. I think there’s a whole bunch of inaccurate views of me, that I’m aware of. People often say that I’m a mysterious person, but I don’t think that’s true at all, I think I’m just really very awkward, socially, but also very comfortable with the fact that I’m awkward socially, which culminates in this air of mystique which is possibly misguided.

Is the life of a full-time comedian at all like a rock star?

While I don’t have a lot of experience with what a rock star might do, I’ve heard the stories. There’s probably some of that, a little bit of that. You’ll find that comedians are generally pretty obsessive about their work, especially while a show’s on, they’re extremely committed, and they have to be, because if you’re not you’re just going to bomb. So there’s not a lot of wild parties and lines of coke and prostitutes and yachts. Not a lot of yachts.

Do you think that could be what’s missing from comedy? Yachts?

Yeah, I think so. Yachts, mizzen masts, jibs, spinnakers. The whole thing.

Now your accent, what’s going on there? (Workman has a kind of minestrone accent: there’s a bit of Australian, a bit of British, a bit of American, and a bit of something else).

No one quite knows. I was born in Perth, and my parents are Australian. The prevailing theory at the moment is that I was possibly too influenced by television as a small child. But as long as I can remember I’ve spoken like this.

And your look keeps changing year by year.

I keep changing my look to suit the show. So this show is more of a dark, but also casual, show so I’ve gone unshaven and back to the natural black hair. Because I think that represents this person I’m playing.

And what’s the next step after Ave Loretta?

Well I start writing the next show pretty much now. But I’m going to do more music and painting, but in terms of comedy I’ll start writing now. I have a few ideas in the works that I’m not at liberty to talk too much about, but there’s movement there.

Michael Workman is performing Ave Loretta at Melb Town Hall ā€“ Regent Room
http://www.comedyfestival.com.au/2013/season/shows/ave-loretta-michael-workman

Interview With Andrew Spiers and Elliott Tiney from Idiots of Ants

By Luke Simmons

Andrew Spiers and Elliott Tiney of UK sketch quartetĀ Idiots of Ants had a moment in St Kilda to answer some important questions for us.

Luke: Are there any comedians or groups that inspired you to get into sketch comedy?

Elliott Tiney: Obviously thereā€™s the Monty Python stuff and perhaps the Goodies. But I wouldnā€™t say weā€™re surreal so weā€™re not really like them. Our stuffā€™s probably more akin to Big Train and Not The Nice Oā€™Clock News. Itā€™s quite traditional sketch comedy what we do rather than having 4 stand-up comedians like some other sketch acts out there.

Andrew Spiers: What we do is we take traditional sketch comedy and put a modern twist on it. We sketch about modern things that people can relate to.

Luke: What are the strangest things youā€™ve ever seen on the tube in London?

Elliott Tiney: A friend of mine opened up the doors which link up the carriages and had a wee in between! Which I think is dangerous. You could get electrocuted!

Andrew Spiers: I once saw a man swinging from the handrails by his knees with his trousers and underpants around his ankles. That was pretty bad. Oh no! Wait!

Elliott Tiney: Here we go.

Andrew Spiers: I saw a man take off both of his shoes, take off his left sock and then his right sock. He put his left sock on his right foot, he put his right sock on his left foot and then he put his shoes back on.

Luke: What do you guys think will be the next Internet craze that will take over the world?

Elliott Tiney: Ough, if only you could predict the next viral hit…. I tell you whatā€™s never really been done on YouTube. It seems like a wasted opportunity. When I was a child in the 80ā€™s, mooning was a big thing. And you know how they brought out that Rick Astley thing where youā€™d be watching a YouTube video and suddenly his song would cut in. What was that called?

Andrew Spiers: RickRoll’D!

Elliott Tiney: Yeah, RickRoll’D! This is what we should do. Listen up. We get videos with some really interesting titles and it must have a good start so everyoneā€™s focussed and then BAM. My arse is there.

Andrew Spiers: Is it always yours?

Elliott Tiney: Itā€™s my arse, yeah. And what Iā€™ve done is, Iā€™ve pulled my bum cheeks apart a little so itā€™s disgusting.

Luke: We call that a brown eye in Australia.

Elliott Tiney: Oh right, we call it arsing

Andrew Spiers: So brown eyeing.

Elliott Tiney: Yeah, so thatā€™s going to be the next Internet craze. You heard it heard first kids!

Idiots of Ants are performing their sketch type comedy at theĀ Victoria Hotel in the Banquet Room
http://www.comedyfestival.com.au/2013/season/shows/model-citizens-idiots-of-ants

Interview with Paul Foot

By Luke Simmons

Paul Foot was lovely enough to grace us with an interview on the afternoon before performing at the Melbourne International Comedy Festival Gala

Luke: How does it feel coming back to Australia?

Paul: Nice.Ā  Itā€™s my 3rd year in Australia but my 6th visit.Ā  Iā€™m well used to it and I love it.Ā  Itā€™s a brilliant place.

Luke: All of these were for comedy or were any for pleasure?

Paul: All for comedy. The first time I came here was for the Melbourne Fringe. Having never been to Australia in my life, I went back there again 10 days later arriving back to England to do the Virgin Mobile Advert.Ā  So that was extraordinary having never been before.Ā  The 3rd time was last year when I came to Melbourne for 4 days for pre-publicity for the Melbourne Fringe.Ā  Then I flew back to Britain for 3 days for my Grand Maā€™s 93rd birthday and a couple of shows and then flew back to Australia straight away.

Luke: You were like a yo yo!

Paul: Yes, so that was quite hardcore. So within a week Iā€™d been to Australia and back again then back to Australia and back again.Ā  My 4th time was to do the Fringe last year and then the 5th time was in January when I came to Adelaide to direct a brilliant sketch group called Gravity Boots. I directed them because I was so stunned by how wonderful they were at the Edinburgh Festival.Ā  The 6th time was for the Adelaide Fringe Festival and now Iā€™m here to do the MICF ā€“ as well as Brisbane, Sydney and Perth.

Luke: Besides from the size, what’s a major difference between the comedy audiences in the UK and that in Australia?

Paul: The short and boring answer is that thereā€™s not much difference.Ā  I go all over the World and I increasingly find that wherever I go, people are the same. Sometimes you may have to adjust a reference.Ā  Or sometimes for some reason they laugh at some things more in Australia and lesser in the UK or vice-versa.Ā  As a general rule, it doesnā€™t really make that much of a difference.Ā  Itā€™s all the same really.Ā  Indeed, when Iā€™m performing on the stage, Iā€™m so kind of in the moment.Ā  Iā€™m there doing my thing and I forget where I am.

Luke: You have a loyal fan base (The Guild of Paul Foot Connoisseurs) of which you are the Life President of the Guild – with the badge to prove.Ā  Are you planning any special surprises for Australian members of the Guild?

Paul: I always make sure that after my shows, Iā€™ll be available for photos and signings.Ā  Iā€™m not an aloof Life President of the Guild and itā€™s always nice to meet connoisseurs.Ā  People often come up to me and tell me that theyā€™re a connoisseur.Ā  I love them.Ā  Theyā€™re all very appreciated.

Luke: For those that are new to your comedy, what can audiences expect when they see you at the upcoming festival?

Paul:Ā  Well, my comedy is not mainstream and itā€™s different to other comedians.Ā  Not that Iā€™ve ever planned to make it different.Ā  I mean, I just do the type of comedy that seems obvious to me.Ā  The kind of comedy that I would go and see if I werenā€™t a comedian.Ā  I think this is what most comedians would do.Ā  People say itā€™s unusual, itā€™s different.Ā  But I donā€™t plan to make it different ā€“ I just do my thing.Ā  Iā€™ve been described as a ā€œmarmite comicā€ which you would call….

Luke: A vegemite comic?

Paul: Yeah, a vegemite comic.Ā  In other words, some people really like it and others perhaps donā€™t like it.Ā  Although the same applies to all comedians in a certain way.Ā  So (in terms of) what to expect from this show, I come on and tell some ridiculous stories that Iā€™ve made up for about 38 minutes, then I doĀ  anagrams, then I do something called My Madness where I just say things that donā€™t even make sense.Ā  It just seems like itā€™s completely random, but itā€™s a little more planned than that.Ā  Itā€™s funny but no-one knows exactly why itā€™s funny.Ā  So itā€™s comedy on the edge of meaning.Ā 

Luke: So itā€™s a little bit like your first gig?

Paul: It is a little bit like that in a way.Ā  My first gig I just made stuff up about fruits.Ā  There are some similarities indeed.Ā  The other day I was performing in the same city as where I had my first ever gig.Ā  Which had been 20 years since my first performance my first gig as a student and it was interesting because clearly, over those years Iā€™ve gained experience and I have changed in some ways, but there was also a sense that after 20 years in comedy, there was also something completely unchanged.Ā  There was an essence in what I was doing that I noticed that had been exactly the same as it had been 20 years ago.Ā  Thereā€™s a sort of shambolic, amateurishness to it that was exactly the same.Ā  Iā€™m not a slick comedian.Ā  Thereā€™s a sort of silliness, a sort of anarchy to it, a sort of madness to it.

Luke: Like organised chaos.

Paul: Yeah, like organised chaos. And that has stayed exactly the same.Ā  It will always be like that.Ā Ā 

Luke: Are the titles of your shows merely a cunning plan to keep your audiences on their toes?

Paul: What people cannot expect from the show is seeing any reference to Kenny Large.Ā  It was quite funny at one of my shows in Adelaide.Ā  The show had gone really well and there was a man perhaps who was in slightly the wrong place ā€“ it wasnā€™t his sort of night.Ā  And at the end he complained quite angrily that he hadnā€™t learned anything about Kenny Large and the rest of the audience were just laughing at his complaint. And I was saying, if you wanted to learn something about Kenny Large, youā€™ve come to the wrong place.Ā  Itā€™s just a cunning attempt.

Luke: Which comedian inspired you to get into comedy?

Paul:Ā  The answerā€™s none really.Ā  Some have DVDs of their favourite comedians and know everything about comedy.Ā  Iā€™m the opposite.Ā  Iā€™ve never really known much about comedy on the level of whoā€™s doing what.Ā  I know about the mechanics of comedy, how it works, the stage craft and all that stuff that you need to know.Ā  When I did my first gig, I didnā€™t really understand how comedy worked.Ā  I didnā€™t even understand at my first gig that comedians that basically prepare jokes.Ā  I just thought that all comedians just got on stage and made it up.Ā  So when I when I did my first gig, I just made up absolute nonsense.Ā  I mean, I quite liked Tommy Cooper who was a real British genius.Ā  Some comedians will say that it was ā€œSo and soā€ who inspired me.Ā  I wasnā€™t really inspired by anyone and only really went into comedy and show business on a whim. I just thought it could be more interesting than being an accountant or something.Ā  I just do my own thing.

Luke: Nowadays, do you get influenced by any comedians?

Paul: Without being rude, I attempt to not be influenced too much by other comedians.Ā  I donā€™t watch too much other comedy.Ā  I just do my own thing.Ā  I create as much as possible in an artistic vacuum.

Luke: What has been your most prolific source of new comedic material?

Paul: The stuff Iā€™m doing now is so abstract and so bizarre that, in fact, normal things donā€™t really provide inspiration.Ā  People often go and find some situation at a party and say, ā€œHey, are you going to put this in your act?ā€, or some will say, ā€œOugh, weā€™re craaaazy. Do you want to put this in your act?ā€.Ā  Not many comedians are going to use that sort of material because itā€™s not that interesting.Ā  Not me anyway.Ā  The comedy I do is so ridiculous with it just based on putting together weird words and ideas.Ā  Things do influence it ā€“ just not in a direct way.Ā  For example, there may be a word you say in this interview, it may go around my head and it may come out in 15 yearsā€™ time in some bit.Ā  But thereā€™s certainly no direct correlation.Ā 

Luke: Can you talk about any upcoming projects on the boil?

Paul: Yes, there are a few TV projects going on in the UK and I shall be making a DVD when I get back in May.Ā  It will be my first proper DVD.Ā 

Luke: In terms of getting some of your material out there via the Internet, do you think the future resides in YouTube or Podcasts.Ā  Or otherwise!

Paul:Ā  Well, I do both.Ā  Both have a different quality.Ā  With Podcasts, you can kind of ramble on because people are probably listening to you while theyā€™re doing other things.Ā  Thereā€™s a little more space and time.Ā  However, with videos you tend to be a little more immediate.Ā 

Luke: What’s the strangest thing you’ve ever seen on the tube in London?

Paul: The great thing about the tube is that no-one takes any notice of anyone.Ā  Everyone on the tube prides themself on ignoring others.Ā  I think the strangest thing Iā€™ve seen was a man wearing a dress with everyone totally ignoring him.Ā  I guess there are also the times when people have totally ignored buskers or really obnoxious drunk people who were shouting nonsense.Ā  Everyone just pretends theyā€™re not there.Ā  I like the tube.Ā  Anything could happen and no one would notice.

Luke: Okay, besides from planking Korean Harlem shakers, what is your prediction for the World’s next stupid, mindless Internet craze?

Paul: The next Internet craze will be staring.Ā  Youā€™re on the Internet, then I watch you looking at the Internet.Ā  And then someone films me watching you looking at the Internet.Ā  Like an endless mirror.Ā  And then everyone is watching videos of other people watching other people on the Internet.Ā  And then eventually, one day after many years, we discover what you were looking at on the Internet.Ā  And then when we find this out, the Internet ends.Ā  This will be the quest to find the last page of the Internet and it will all spiral in on itself. Ā That will be the next craze on the Internet.

Paul Foot will be performing his show Kenny Larch is Dead at The Hifi Bar

http://www.comedyfestival.com.au/2013/season/shows/kenny-larch-is-dead-paul-foot

Paul Foot and Luke Simmons

Interview with the team from ‘NOT A LOT OF PEOPLE KNOW THAT’ – a new comedy panel show on Channel 31

by Lisa Clark

Not a Lot of People Know That is a new comedy panel show coming to Channel 31 on Thursday night at 10pm and will be on for six weeks. This takes the show through the Melbourne International Comedy Festival, but smartly they have pre- recorded it, because just about everyone involved will be performing in a show. We realise that everyone has their minds on the Festival at the moment, but it’s nice to rewind at homeĀ occasionallyĀ in front of the TV, so this show could be a relaxing way to keep you in the Festival mood.

Three of the performers were lovely enough to give us an idea of what to expect.

N: Neil Sinclair
V: Victoria Healy
A: Alasdair Tremblay-Birchall

Tell me about the people involved, was it someone’s project or a collaborative effort?
N: Luke McGregor played all the parts.
A: And it turns out in the final episode Luke was played by 75 different people.
(All laugh)
N: It was very much a collaborative effort.
A: Neil Sinclair, Emma Sharp and Andy Matthews got this project up and running.
V: Alasdair became interested in this show when he realised he could just turn up and fail.
N: And I got Vic on board by accident because I just cruised around the St Kilda streets for hours asking anyone on the footpath but they all asked for money, but Vic said sheā€™d give it away for free.

How long have you been working on it?
V: Yonkers
A: The idea germinated about 8 months ago
N: Yeah, The drunken conversation I had with Emma happened about 8 months ago.
V: We started writing in August 2012

How do you get a show up at Channel 31 anyway?
N: With practice, or is that Carnegie Hall?
V: Or ask Lessons with Luis. They are a great example of Channel 31 success.
N: Bully Emma Sharp into doing it. Sheā€™s a great producer.
A: Go through the Channel 31 protocol as found on their website
V: Thatā€™s very practical, Al. Are you a Virgo?
A: No Iā€™m a Logician – a person who studies logic

Are you frustrated that commercial TV doesn’t want to give these types of shows more space?
N: Donā€™t they? This would be a really cheap show for them to make. I wouldnā€™t cost much at all.
A: I think they do, we just need to show them how good community produced shows can be.

How does this differ from other trivia panel shows?
V: I think itā€™s different because we are showcasing local comedy talent. Weā€™ve had Michelle Nussey, Sam Petersen, Xander Allen, Rob Hunter, Hayman Kent and Luke McGregor on the show, just to name a few.
A: And weā€™ve also introduced people to other amazing talent in Melbourne – stunt women, a local politician, and writers.
N: And itā€™s funny.

How many episodes are there?
N: Six in this first season
V: But there will be more. A second season is in talks. High level talks. The UN might be involved.

Are you relieved the episodes are all pre-recorded before the series goes to air so you can relax and concentrate on your own live MICF shows?
N: Yeah, my show Neil Sinclair: Phoney is a lot of work.
V: Heā€™s lying! I can tell! He taught me how to lie in his show about how to like. Heā€™s saying this while heā€™s touching his anatomy. I know this because I am well aware in what an anatomy looks like cos Iā€™m doing a show about the anatomy called Victoria Healyā€™s Anatomy.
A: And Iā€™m going to try hard to work my show into this question. My show is called Alasdair Tremblay-Birchall in Trying Hard

I hear you had to re-record some of the episodes, tell me how that came about?
N: Some git stole our hard-drive

How was the re-recording experience?
V: Great, it made the show better
A: Once I knew the answers to the questions, it made it even more difficult to get them wrong the second time round.

Is this show just an elaborate promo clip for your Festival shows?
A: This show is completely unrelated to Alasdair Tremblay-Birchall Trying Hard and has nothing to do with promoting his comedy fest show at the Forum 9:45pm (everyday except Monday).
N: No, itā€™s a calling card for our writing skills and our ability to make a professional panel show on a small budget.
V: Itā€™s not a promo because we canā€™t mention our shows on the program, thatā€™s community TV for ya! Everything has to be non-commercial. I shouldā€™ve just told them that no one makes a profit from an MICF show.

NOT A LOT OF PEOPLE KNOW THAT, PREMIERES 10PM THURSDAY 28TH OF MARCH ON CHANNEL 31.

The Rubberbandits

By Cathy Culliver

The Rubberbandits are a couple of plastic bag-wearing lads from Limerick in Ireland who have become a YouTube sensation with their hilarious but supremely silly songs like ā€œHorse Outsideā€ and ā€œSpastic Hawkā€.

Cathy talked to Blindboy Boatclub (real name Dave Chambers) about their upcoming visit to Melbourne and what exactly makes these guys tick.

So what the Rubberbandits are all about?

We wear plastic bags on our heads, and weā€™re hardcore gangster rappers.

I have to ask, whatā€™s with the plastic bags? My mother always told me it was dangerous to put them on your head.

The way we look at it, the only certainty in life is death. So you may as well put a plastic bag on your head.

Isnā€™t it also because you want to conceal your identity?

Well thereā€™s a little bit of that as well. I like to go to the shop and buy toilet roll and peas without anyone looking at me. I like to buy peas in peace. And deodorant ā€“ I donā€™t want someone looking at my particular brand of deodorant.

What can Australian audiences expect from your live shows?

Itā€™s like a rave, but if you let a lot of dogs into the rave.

Youā€™re planning on having dogs in your show?

No, just metaphorically speaking. OK, imagine instead of a rave, itā€™s car. And then you let a dog into the back of the car. And youā€™ve got your shopping there, and the dog just does its thing in the back of the car.

Well I donā€™t think Iā€™ve ever heard a comedy show explained in that way, so now Iā€™m definitely intrigued.

Yeah, thereā€™s no way to describe it really. Itā€™s just us with plastic bags on, roaring and shouting, and anything can happen. We nailed Santa Claus to a crucifix once.

So you guys started out doing prank calls in school, and then got your big break when your video for the song ā€˜Horse Outsideā€ went viral on YouTube, is that right?

Yeah, that was an accident. We just made a video with all our friends, and a TV company paid for it. Then it just got massive. We didnā€™t try to make it big or anything. It just kind of happened without us wanting it to happen.

What do you think youā€™d be doing now if that hadnā€™t happened and youā€™d never made it big?

Um, Iā€™d own a hot air balloon company.

Has that always been your dream?

Yeah, Iā€™ve always been very passionate about it. But I want to take the art of hot air ballooning and mix it with other disciplines, like being a milkman. I want to be the worldā€™s first hot air balloon milkman. Iā€™d drop the milk with little parachutes on them so they donā€™t smash outside someoneā€™s doorstep.

How angry would you be if someone beat you to that?

Oh Iā€™d be very, very angry. I think itā€™s Richard Bransonā€™s next venture. He wants to be the worldā€™s only hot air balloon milkman.

You sing songs about things like owning a disabled hawk, fighting your girlfriendā€™s dad and the merits of owning a horse instead of a car. Is there anything you wouldnā€™t sing a song about?

Actually, no. Thatā€™s often something I ask myself, ā€œwhat would I not sing about?ā€ I think Iā€™d sing a song about anything. Itā€™s all about the way that you interpret it.

Will this be your first time in Australia?

No we came over last year and we played in Irish pubs. But this is our first time going over to do the comedy festival.

Those gigs last year were crazy, and we stayed in a brothel in Sydney for a week.

Oh really? What was that like?

It was insane. It was in the middle of Kings Cross in Sydney, and there were prostitutes walking all over the hotel rooms and everything. It was absolute madness.

Oh and in Kings Cross I also saw a dog, and the dog was wearing shoes. And the policeman who was there told me it was so the dog didnā€™t step on any needles. Iā€™d never seen a dog wearing shoes ever, but in Kings Cross, the dogs wear shoes.

What are you most looking forward to doing while youā€™re back here?

I like walking around and seeing wildlife. Last time I was in Melbourne, I went to a park and saw a giant lizard. And then I looked around and there was another lizard. Before I knew it, I found myself surrounded by all these lizards. That was incredible, so I want to try to do that again. I want to get acquainted with more lizards.

Most people say they want to meet a koala.

No, I donā€™t like koalas. I heard theyā€™re in a perpetual state of flatulence. They just fart all the time and it never stops. Itā€™s a slow cycle of fart. And I heard the fart smells like chemicals because of their exclusive eucalyptus diet. So I donā€™t want to f**k with koalas. Iā€™d rather have lizards.

Thatā€™s fair enough.

Yeah, and I kind of also want to get bitten by a spider just so I can tell people.

Well we could probably sort that out for you. Weā€™ve got a few here.

So if I wanted to get bit, what should I do? I heard the best thing to do was to go outside and put your hand into an old brick or a piece of patio furniture.

Yep, thatā€™ll do it.

What about snakes? Do you have them in the city?

No, youā€™d probably have to go out into the bush to find those.

Oh. But it would be good if Australian TV decided to syndicate Sex and the City, but then replace all the actresses with snakes and call it Snakes and the City. You could have an anaconda with a blonde wig and a mole on its face like Sarah Jessica Parker. Iā€™d watch it.

Thatā€™s brilliant, but unfortunately we donā€™t have any anacondas. We do have some of the worldā€™s most poisonous snakes here, though.

Oh god. Whatā€™s wrong with your animals? Why are they so aggressive and poisonous? Jesus Christ. I mean, you never have that in Ireland. The other day I was walking to the shop and a dog scowled at me. He gave me a dirty look. But thatā€™s the closest I ever came to danger in Ireland with an animal.

A lot of your humour is very Irish-centric. Do you think Australians will get it?

I donā€™t know. That was one fear we had when we went to Britain, that the British people wouldnā€™t get it. But they did.

I donā€™t know a hell of a lot about Australian culture, so I guess weā€™re going to have to find out when we get to Melbourne.

I think youā€™ll be fine. Australians and the Irish are pretty similar in their sense of humour.

Well thatā€™s good. If thatā€™s the case then weā€™ll get on quite good. But you know, in Australia Iā€™m sure people fight peopleā€™s fathers, Iā€™m sure you have horses and Iā€™m sure youā€™ve got retarded birds of prey. Weā€™ll get on fine.

The Rubberbandits are performing at the Hi-Fi from 28th March to 7th April. For tickets and more information, visit:
http://www.comedyfestival.com.au/2013/season/shows/rubberbandits