5 good reasons to see TriAngel

1. The cast!

Collectively they have over 60 years of improv experience between them, hailing from 3 of the worlds best commonwealth states. Yikes! Individually they’ve toured locally and internationally as improvisers and teachers, and have extensive experience with all of Melbourne’s top improv companies: Impro Melbourne, The Big Hoo-Haa Melbourne, Impromptunes and Improv Conspiracy.

2. The music!

Award-winning musician Jamie Burgess adds his musical magic to all the songs. They may be improvised, but boy will they be catchy, ticking all the pop-trope boxes and using titles provided by the audience, promising a unique experience with a guaranteed earworm each night!

3. Nostalgia!

TriAngel is a chance to relive your childhood pop fantasies and get up close and personal to that It-girl band you never knew.

4. Improv!

You get a unique performance every night, where your suggestions will help create the story and the music. No two shows or songs are the same.

5. Sparkles!

Hoo-boy! There has been so much cash spent on glitter and sparkles that this makes TriAngel the most flammable show of the festival! If it couldn’t be done with a hot glue gun, it couldn’t be done.

Amanda Buckley, Amy Moule and Candice D’Arcy perform TriAngel at Trades Hall from Sept 12 – 20


Impro Melbourne – Theatresports

By Elyce Phillips 

Impro Melbourne’s Theatresports is an old standby of the Melbourne comedy calendar, attracting many of our best improv comedians over the years. It’s impossible to predict what you will see in any given performance and it’s usually a solid bet for an entertaining night out but this year it seems to have changed direction, taking on a more family-friendly guise.

The evening is divided into three sections: free play, the Danish round – in which the audience judges the scenes, and the usual competitive round, where points are decided by two official judges and one audience ring-in. Teams compete over the course of the season, until a winner is decided at the Grand Final in November.

All the players were accomplished improvisers, working well together to keep scenes moving. Rik Brown was a stand-out, consistently providing laughs and holding things together. Jamie Cerda and Katherine Weaver’s two-person team Para Dos was gloriously chaotic. Their scenes often had little to do with their prompts, but were hilarious none the less. Musical improviser Dan did a wonderful job of scoring the night.

It is obvious throughout that this year’s Theatresports is aiming itself squarely at young families, which seems an odd choice for a Sunday night show. Surely the kiddies should be getting tucked into bed, ready for school the next day. Host Jenny Lovell’s performance had the tone of a kindly schoolteacher, praising us for being a good audience, and distributing hard candy at various intervals. She did a great job of keeping the energy up and the kids in the audience were loving it.

To keep things on track and out of the gutter, there were a couple of tools at the judges’ disposal – a horn can be honked to end a scene that isn’t working for whatever reason, and a penalty basket can be placed on the head of any player that strays into crude and obscene territory, locking them out of the next game to be played. Though the basket wasn’t used, there were a few scenes brought to an untimely end by the horn for reasons of taste.

At times, the censoring felt arbitrary. A lengthy scene entirely about purchasing condoms was fine. Another in which a nude Satan seduced a door-to-door bible salesman was good to go. However, once the judges were in charge, a single swear word could bring a scene to a screeching halt. One game of ‘second chance’ that looked to be really promising was ended in under a minute due to the use of an unsavoury word. The process was jarring, and left me resenting the judges – and not in the fun pantomime booing way that Lovell was promoting. It was unclear whether the players were fully aware of the restrictions on themes and languages beforehand, or if they were simply forgetting and slipping up. The result was a show with a confused tone – a little too adult to be totally family-friendly, but too sanitized to allow the players to really let loose.

Impro Melbourne’s Theatresports is perhaps best for families with young teens – kid-friendly provided you don’t mind your little ones hearing the odd bit of salty language or an impromptu lesson on the magic of birth. It’s a good place to introduce them to improvised comedy, and the talented performers will ensure you have a few laughs yourself.

Impro Melbourne – Theatresports is on Sundays at 7:30 at The Space in Prahan. The Grand Final will be held on November 29 at the Kalide Theatre at RMIT. For tickets and info, go to: http://www.impromelbourne.com.au/

Celebrity Theatresports

By Elyse Philips

This year marked Impro Melbourne’s 26th annual Celebrity Theatresports. Four teams of Impro Melbourne players and celebrity guests battled it out for the Peter Cook Cup in a series of improv games, scored by a panel of celebrity judges.

Host Russell Fletcher was amiable but daggy, giving off the vibe that he was hosting a variety night at a local RSL. This mood was amplified when one of the guest judges of the night was announced to be Santa. He’s not busy at Easter, you see. The show was very family-oriented, with mint chews being whipped at the audience at regular intervals to keep everyone on their toes.

The performances of the celebrities were hit and miss. Those with comedic experience (Lawrence Mooney, Toby Truslove, Scott Brennan, George Kapiniaris) got laughs and kept scenes moving. Chantelle and Steve from The Block were incredibly enthusiastic and seemed like they were having a great time. A trio of actors from Neighbours, however, struggled with some of the games, leading to scenes that went nowhere. Despite the uneven performances, the audience was very supportive, no doubt enjoying seeing some of their favourite celebrities flailing about.

As a fan of Impro Melbourne’s work throughout the year, I found Celebrity Theatresports lacking. It was disappointing that none of the new guard of improv players that appear during the season were performing on the night. The ratio of celebrities to improv professionals was way off in some of the teams. Tie of the Tiger had one player with three celebrities, which meant when things fell flat, it was difficult to turn them around. The jokes were tame and in some cases ancient (It has been a decade since Kelis released ‘Milkshake’ – let it go). However, my experience wasn’t representative of the audience in general. The families and kids in attendance were clearly having a great time.

If you’re keen on seeing celebrities out of their comfort zone, you might get a kick out of Celebrity Theatresports. But if it’s quality improv you’re after, Impro Melbourne’s regular season is a far better place to get it.

Eurosmash! was on at the National Theatre