Farewell Squirrel Comedy

By Lisa Clark

So it’s probably time to announce that Squirrel Comedy is going into retirement. We made the decision last year and I may have been putting this off.

It all began in 2004 at Janet McLeod’s Local Laughs (Thanks Janet!), where a bunch of front row regulars got to know each other and were looking for ways to see more comedy and to promote stand up comedy as an art form that we all loved. I was pretty grumpy about the fact that I was seeing mind-blowing, and hilarious comedy at the Melbourne International Comedy Festival each year and the performers were not being given places in mainstream media to become famous, especially on TV. Some of my work colleagues thought that the Gala was the extent of the Festival.

My main thank you begins with Annette Slattery who initiated the idea of a website / zine about the Australian comedy scene, named it The Groggy Squirrel and wrangled a team of comedy lovers. The Groggy Squirrel ran from 2005 to 2009 with Annette as editor and became pretty well known and somewhat beloved.

In 2012, after a break, we refreshed and renamed as Squirrel Comedy, with me, Lisa, as Editor and Colin doing the well renowned gig guide (you have NO idea how hard it was to keep accurate, rooms come and go and it feels like some rooms/comedians just don’t want you to know they exist!) as well as reviews and all round supportive good egg.

Thank you in particular to Jayden who helped us set up the website and socials and taught us a bit about how to use WordPress. And thanks to those other Squirrels who helped with the change over and then to everyone else since, who has written and contributed over the years. All the writers who worked hard to get great interviews and fabulous reviews done in a timely manner, you often blew me away with your talent and skills. We all thank the many room runners, publicists and producers who organised tickets for us and respected us as part of the scene.

Thank you most of all to the performers who put aside precious tickets for us and hopefully weren’t too upset with our reviews. We always tried to be thoughtful and kind, but honest. I’ve only been asked to take down a review a couple of times and that’s OK, we’re not mainstream media, it’s fine. No one made any money out of Squirrel, we were there for the love of comedy, but we did not want to lie if a show had serious issues. We also had our readers’ trust in mind and did not want to let them down. Please forgive us if we couldn’t see or review your show, believe that we never stopped feeling guilty about it. There was only so much we could see.

This was always a hobby for me, with my Arts degree turning out to be pretty useless for anything else! I think my writing improved, though I was always more impressed with everyone else’s writing. Thanks to Squirrel Comedy, I’ve enjoyed laughing at an enormous amount of comedy. As well as Melbourne festivals (including MICF, Fringe and Midsumma), I’ve reviewed Comedy, interstate (at Adelaide Fringe) and overseas (New Zealand Comedy Festival, London and the Edinburgh Fringe Festival). I’ve also gotten the chance to meet and interview a lot of comedians I admire who have always been friendly and kind.

I’ve been reviewing comedy for twenty years and have had a fantastic time, it’s been a privilege watching all the performers grow and find their voice and their space in the biz, but it’s also been at times exhausting, organising it all, working out how MICF are going make us choose our shows this year (it seemed to become harder every year as the festival grew) and working on Squirrel Comedy through our work holidays. I became pretty ill during the last few Melbourne International Comedy Festivals and wasn’t able to complete my Squirrel commitments which was very stressful. Life has also become more complex and Colin and I decided that it was time to let it go.

We are very proud of our achievements in the past twenty years and hope we had a positive impact in the industry if only in a small way, particularly in being able to highlight the younger and independent artists.

If you’re reading this in Melbourne, I hope you appreciate how lucky we are to have the biggest and best comedy festival in the world on our doorstep, with many of the comedians performing here all year round. I’ve seen soooo much good standup here in Melbourne, before and during writing for Squirrel. And thanks to the late Dave Taranto (Molly Meldrum of Australian Comedy) for giving many of us a rounded education in comedy via The Cheese Shop comedy radio at 3PBS & 3RRR and the live show at The Prince Patrick Hotel.

Here’s a handful of the artists and their festival shows that have changed the artform and changed me, had me falling out of my seat with laughter, occasionally weeping, and raving about to anyone who’d listen.

Judith Lucy’s King of the Road,

Lano & Woodley Curtains,

Celia Pacquola’s Am I Strange?

Justin Hamilton’s Three Colours Hammo,

Tripod’s Lady Robots,

Tim Minchin’s Darkside,

Lessons With Luis’ The Kidney Kingdom

Geraldine Hickey’s Turns Out I Do Like Sun Dried Tomatoes,

Denise Scott’s Scotty & Son,

Watson’s Who’s Afraid of the Dark?

Zoe Coombs Marr’s Trigger Warning,

Hannah Gadsby’s Nannette,

Sam Campbell, Aaron Chen & Tom Walker’s Zanzoop: Feeble Minds,

Sammy J’s Hero Complex (you can see the newest version of this show at MICF 2026!)

Alasdair Tremblay-Birchall and Andy Matthews’ Teleport

and many others that will come to mind later no doubt. I will never take living in Melbourne for granted, as I’ve also often seen these shows being created in small stand up comedy rooms. Go out see comedy live, there’s nothing like it.

I’ll keep the website up and maybe social media, but I miss what it once was, when all the comedians were online bantering and joking and promoting their work.

So Long and Thanks for all the Laughs

Lisa Clark and The Squirrels

House of Oz – Venue 73 at Edinburgh Fringe 2022

By Lisa Clark

There is a new venue in old Edinburgh Town. The 2022 Edinburgh Festival sees the House of Oz pop in for a friendly visit. Hosting a dazzling variety of tasty Australian treats, from straight music, poetry and theatre performances, to cabaret and standup, it will celebrate the breadth of Australian talent, culture and creativity with a BBQ out the back featuring Aussie food, snacks, drinks and cocktails and a cafe with Melbourne style coffee and delicious lamingtons.

Comedians include:

Dolly Diamond who’s giving us a variety of goodies including Bosom Buddies (one of her guests last night was Rhys Nicholson so you never know who might pop up).

Garry Starr in the raucous Loose Unit.

Gabbi Bolt who was a breakout musical comedy star from this year’s Australian festival season in I Hope My Keyboard Doesn’t Break.

Geraldine Quinn doing her highly acclaimed Broad which was nominated for 2022 Best Show at Melbourne International Comedy Festival.

The Listies are doing a show based on Hamlet for kids: Prince of Skidmark and it will be for big kids too, no doubt.

A variety night called OzMosis: The Great Australian Variety Pack hosted by Dane Simpson.

The cherry on top of the Aussie Pav will be Die Roten Punkte’s Haus Party With Otto & Astrid, an outrageous alternative comedy/cabaret/circus showcase which is always a huge highlight at Melbourne International Comedy Festival.

There are two Venues: The Great Indoors and The Outback.
The Great Indoors is the Main Stage hosting most of the shows. It has a bar that’s open during shows and then Kicking On ’til late.

House of Oz is graced by a Sydney chef-in-residence David Lee who is co-curating the Taste Australia foodie events on Monday nights in The Great Indoors. Audiences can enjoy an immersive experience with artists like Reuben Kaye who will be celebrating their Russian-Jewish heritage through delicious food.

The Outback has an outdoor stage for shows such as kid’s shows and Dolly Diamond’s Hi T where she’ll be telling tales and singing songs while the audience tries not to snort their tea and lamingtons from laughing. The cafe is open during the day til 6pm.

The Outback Garden kitchen and Bar are open til 10pm.  BBQ meals include sausage sizzle, pizzas and some great veggie and vegan options. At the Bar, as well as the expected wines, spirits & beers you can buy four different flavours of BBQ shapes (ÂŁ5 a box!) as well as ÂŁ1 Caramello Koalas. There is a big jar of Vegemite on the bar – for using in cocktails… and you can get some stubbies of Bundaberg Ginger Beer.

There are comfy cushions and fairy lights along with the fabulous food, drink and world class festival shows at House of Oz, so it will, no doubt, be a gorgeous and fun place to hang out during August in Edinburgh.

You will find the House of Oz in the Kings Hall down near The Meadows. Visit https://www.houseofoz.co.uk/ for all the details about what’s happening in this delicious slice of Australia.

2022 Melbourne International Comedy Festival Awards

The Melbourne International Comedy Festival Awards were given out today live on the Festival’s (rather choppy) Facebook feed. Opened by Steph Tisdale and hosted by Joel Creasey.

Congratulations to ALL the nominees and winners!

Most Outstanding Show 

WINNER: Rhys Nicholson – Rhys! Rhys! Rhys!

Nominees:
Aaron Chen If Weren’t Filmed Nobody Would Believe
Cameron James Electric Dreams
Danielle Walker Nostalgia
Geraldine Quinn Broad
Greg Larsen We All Have Bloody Thoughts
Laura Davis If This Is It
Rhys Nicholson Rhys! Rhys! Rhys!

Best Newcomer

– for a solo performer or group of performers doing their first Festival show

WINNER: Frankie McNair – Relax Your Knees

Nominees
Will McKenna Appellation
Frankie McNair Relax Your Knees
Bronwyn Kuss Any Goss?
Steph Broadbridge Hot Chick/Tired Mum
Sunanda Loves Britney
Mish Wittrup Soy Fat White

The Golden Gibbo

– in memory of the late, great Lynda Gibson – is aimed at finding a local, independent show that pursues the artists’ idea more than it pursues commercial gain.

WINNER: Alex Hines To Schapelle And Back

Nominees:
Mel & Sam Shit-Wrecked!
Maria Angelico The Disappearing Act
Geraldine Quinn Broad
Ashley Apap Ouch!
Aiden Willcox Lightly Familiar
Ross Purdy Hey Hey It’s Doomsday
Alex Hines To Schapelle And Back

Directors’ Choice Award 

– awarded by the Festival Director in consultation with festival programming colleagues to a show they think deserves to be celebrated;

WINNER: Wil Anderson – Wilogical and Bronwyn Kuss – Any Goss?

The People’s Choice Award

-for the most popular show of the Festival as determined by the ticket buying public;

WINNER: Urzila Carlson – It’s Personal!

The Pinder Prize

– honouring Festival co-founder John Pinder, and supporting a performer to travel to the Edinburgh Festival Fringe

WINNER: Danielle Walker Nostalgia

The Piece of Wood

– comics’ choice award, selected by past winners and presented to a peer literally for “doin’ good stuff ‘n’ that”

WINNER: Tina Del Twist!

The 2021 Melbourne International Comedy Festival Awards

This afternoon the Melbourne International Comedy Festival announced the 2021 Award winners at the Toff In Town, with host Adam Hills. Adam mentioned how incredibly strong the majority of the shows at this year’s festival were and he was right. The duds were rare and everything that was good was Absolutely brilliant! It must have been very difficult for the judges this year.
We could not be happier to announce the winner of the Melbourne International Comedy Festival Award 2021 for the Most Outstanding Show is Geraldine Hickey! Hickey said in her thank you speech: “I’d kind of like to dedicate this award to anyone who’s in the middle of their career and at the tipping point of, Is this working? Should I keep going? No one notices me. Well keep going ’cause fuck I did and look at me now!” To big cheers.
Now, when is she getting to host a TV show / her own Netflix special? Soon I hope. She has been selling out live shows for years now.

Most Outstanding Show: Geraldine Hickey What a Surprise!
Nominees:
Aaron Chen – Sorry Forever
David Quirk – Astonishing Obscurity
Ivan Aristeguieta – Piñata
Luke Heggie – Lowbreed
Michelle Brasier – Average Bear
Nikki Britton – One Small Step
Reuben Kaye – The Butch is Back

Best Newcomer Award: Charlie Zangel – Cockatiel 
You may know Charlie Zangel who has been performing for years as Charity Werk
Nominees:
Anna Piper Scott – Queer & Present Danger
Chris Ryan – Big Hair, Big Dreams
Scout Boxall – Good Egg

The Golden Gibbo: Nat Harris & Hannah Camilleri! – Pet-Nat + Han ah  Chocolat.
An award given for creativity and bravery.
Nominees:
Claire Sullivan – Toast Rat
Woah, Alyssa! – Woah, Alyssa! 3
Ben Knight – Teacher
Alasdair Tremblay-Birchall and Andy Matthews! – Teleport

Directors’ Choice Award: Melanie Bracewell – The Rumours Are True 
A New Zealander you may know from her regular appearances on Have You Been Paying Attention, she accepted this in her netball uniform.

The People’s Choice Award: Daniel Sloss
This award is for most tickets sold across the 2021 Festival and UK comedian Sloss was very closely followed by Tommy Little.

The Piece of Wood: Greg Larsen – This Might Not Be Hell.
This award is chosen by other comedians in the festival for one of their own.

Funny Tonne: Winner Ben Carruthers
As I publish He’s seen 79 shows, and written 52 reviews, he said the emphasis was put on review quality this year.
The funny Tonners didn’t start their run until after the Festival had begun and were somewhat outshined by comedian Blake Everett, who is up in the 90s and has given nearly every one of them a quick positive review on twitter. And he is performing in his own acclaimed festival show Blake and Oliver Dig Their Own Graves and also did tech for award nominated Toast Rat.

Class Clowns National Champ: Dhruv Rhao (who was the youngest nominee) Runners-up: Jai Uhlmann and Sophia Marosszeky

The Deadly Funny Award:  Jahmarley Dawson   Special mentions were given to Cy Fahey, Ben Moodie and Kasey Johnson

Cancellation of MICF 2020

We at Squirrel Comedy are gutted at the news that this years Melbourne International Comedy Festival (amongst many other large public events) has been cancelled due to health concerns. Our Hearts go out to all the performers, producers, the tech people and support crew. Everyone who worked so hard and put their time, energy, love and money into creating a super, fabulous Festival.

Here is a statement from Festival Director Susan Provan:

Following the Prime Minister’s announcement about non-essential mass gatherings, we have made the very difficult decision to cancel the 2020 Melbourne International Comedy Festival.

The success of our Festival is in the way that comedy transforms our city for the inspiration and entertainment of hundreds of thousands of comedy lovers.

Our primary concern is the health and welfare of our artists and participants, staff and audiences. Cancelling the Festival is heartbreaking but the only decision possible to support the community’s efforts to slow the spread of coronavirus (COVID-19).

We’re devastated by the news but thank everyone for their understanding and support.

Ticketholders will be notified shortly regarding refunds.

No decision has been made about the Melbourne Comedy Festival Roadshow, due to commence in late April.

If you’re healthy, while you can, please support the local comedy rooms. If you find yourself stuck at home, almost all of the performers who were to appear at the festival have some content online (be it videos, podcasts, etc) for you to enjoy. If you can, throw them a buck or two as all performers have invested large amounts of time and money into the preparation of their shows. In some cases this Festival is often their main source of income and they help make Melbourne a top festival city and tourist destination.

So everyone stay safe and hygenic out there. We all need a laugh in these trying times.

Ethnic City

By Hooi Khaw

Ethnic City is a new  month long run of standup comedy gigs in Melbourne that brings to the stage a lineup exclusively made up of performers of colour. After going on a marketing rampage, with shout outs in The Age, The Herald Sun, and Triple R radio, Ethnic City sold out the 53 seat theatre at The Improv Conspiracy on opening night. The hype lives up to the expectation, boasting formidable lineups since the start of the run. The buzz of the audience is palpable, as they mill about the licensed bar, waiting for the show to start.

In an industry that is often decried for lack of representation, diversity has become a hot topic, and shows like Ethnic City create a space where performers can be appreciated for their talent and not seen as a token (with that added pressure to “represent”).

Room runner, local comedian Brendan Wan speaks to us in more detail about Ethnic City:

H: What is the intent behind Ethnic City?

B: The intent behind Ethnic City was to create a show where not only Performers of Colour can showcase their talents but also give audiences from diverse backgrounds a chance to see members of their own community do their thing on stage. Sometimes, it’s as simple as seeing someone that looks like you on stage that gives others the confidence to pursue their own certain projects. It’s no secret Melbourne’s creative arts industry lacks diversity. I know far too many incredibly talented ethnic actors, writers and comedians who need to create projects in order to pursue their artistic goals as their ethnicity isn’t regarded as marketable. When I started comedy, especially improv, I could count the number of people of colour on one hand. Gradually more people of diverse backgrounds have been welcomed on stage but we still have a long way to go until ethnicity isn’t regarded as unique.

H: What is your approach to balancing new comers and experienced comedians of colour?

B: I guess this is the same case with any comedy show, you have a big name headliner who initially attracts the general audiences and then the up-and-coming talent to support. I’ve been luckily enough to have the bigger name acts of Lawrence Leung and Sami Shah involved to perform at Ethnic City and they’ve been incredibly supporting of the whole show.

H: Have you been actively recruiting the acts, or are people asking for slots?

B: I’ve been actively recruiting acts but as the show has gone on for a few weeks, there have been a few people approaching me for spots. In the stand-up comedy side of things, I’m in a fortunate position to have more performers than I actually have spots for. But the nature of the show is that it’s a variety show, since comedy comes in all different genres, so finding ethnically diverse acts in other areas of comedy ie improv, clowning, cabaret, sketch – that’s been a bit of a challenge.

H: You’re currently booked for a four week run, what are your plans for Ethnic City moving forward?

B: There are definitely plans for Ethnic City to come back! However there will be a bit of a hiatus for the next few months since I’ll be involved with a few projects. There’s a lot of effort and behind the scenes work required to do this kind of show so juggling full-time work, with several projects can be stretching me real thin. So when it does come back, I’ll be giving it 100% commitment.

Ethnic City is on Friday’s 7pm at The Improv Conspiracy from the 24th of May 2019 until the 14th of June 2019. See website for Details –

https://improvconspiracy.com/shows/ethnic-city