Nothing To See Here, Just A Totally Normal Comedy Show, Wouldn’t Worry About It.

By Colin Flaherty

Nothing To See Here, Just A Totally Normal Comedy Show, Wouldn’t Worry About It is the latest show by Jett Bond and Zoe Heim (with a special apearance by James Collopy). Known for their interesting, almost experimental, concepts, this is another work that subverts theatrical convention and cleverly blurs the line between the stage and outside world.

The Fringe program blurb spells out what happens but it’s done so kinda cryptically. This show is probably best experienced cold as the bulk of the humour comes from the many surprises in this roller coaster ride of a performance. Jett and Zoe have created a brilliant high energy story that sweeps up the audience into an almost cult like fervour.

This performance requires a great deal of audience participation to propel the plot forward. On the surface, the tasks assigned to the punters seem rather daunting as they seem to involve venturing past the safe confines of the theatre. We soon realise that we are in safe hands with a covert supporting cast to keep the interactions silly and fun for both participants and the rest of the audience.

There is a strong script at the heart of this show but the often ramshackle audience participation combined with very loose performances by both Jett and Zoe give the impression of a show that’s likely to fall apart at any moment. This sense of danger gives things a real spark that keeps the audience enthralled and rolling about throughout.

An extensive audio visual component drives this show using whiteboards, corkboards, pieces of paper and a projection screen. Their tech handles sound and lighting perfectly but curiously Zoe spends a fair chunk of the show tinkering on a laptop at side of stage to create the screen visuals. Some of this is in keeping with the story but it often leaves Jett alone with the audience to engage in some awkward banter that slows things down.

This is the first Fringe show that I’ve seen that creates a clear demarcation between paying audience and freeloading fellow performers. Whether this is a metaphor for the ticketing system or an attempt to stop other performers from upstaging them, both seem apt.

Despite its rough edges, this is an immensely fun and rather unique communal experience that fully embraces the spirit of the Fringe.

Nothing To See Here, Just A Totally Normal Comedy Show, Wouldn’t Worry About It is on at Theory Bar until October 19

https://www.melbournefringe.com.au/whats-on/events/nothing-to-see-here-just-a-totally-normal-comedy-show-wouldn-t-worry-about-it

Bunker – Jett Bond

By Colin Flaherty

Downstairs at Bard’s Apothecary is an appropriate venue for a show about a Bunker. A basement with bare brick walls is where we are to wait out the end times. Seats are strewn almost randomly throughout the space with boxes of miscellaneous items, setting the scene for this hastily thrown together refuge.

Our equally dishevelled host of sorts, Jett, wanders around the space, stumbling over empty chairs and asking questions to this disparate group of people so we can plan how to cohabitate. As it’s a small room, it’s likely they will speak with everyone but there is no pressure to play. There is plenty of chat about how we spent our time in the “before times” leading to plenty of amusing lines about pop culture.

This is one of those shows where audience interaction decides whether it’s a brilliant performance or merely a good one. In a rambling conversational manner (it is the Apocalypse, not many people are in a rational state of mind!) Jett probes for material to spark some witty lines and progress the story forward. Sometimes we’ll hit pay-dirt encountering some eccentric characters in the crowd and veer off into hilarious tangents. When these responses lead to animated discussion between audience members it makes for an entertaining communal experience.

It appears that our interaction has the ability to guide the performance to some extent but there are scripted moments to keep the show on a redetermined path. Some wonderful prop gags delight and a moment of dramatic tension brings the collective together as a team. The conclusion feels a little lacklustre but it is somewhat appropriate for this absurd high stakes situation that is tackled with minimal urgency.

This immersive piece will keep a smile plastered to your face.  Even if you are part of an audience of timid folk who don’t offer up the seeds of comedy gold, Jett Bond is a fun and engaging performer with which to spend an hour.

Bunker is on at Bard’s Apothecary until April 5

https://www.comedyfestival.com.au/browse-shows/bunker/