Squirrel writers’ 2017 Edinburgh Fringe Round up

So that was the 70th anniversary of the Edinburgh Fringe and Festival. Once again the weather was changeable, with reports that it was the wettest summer in Scotland for 80 years. We arrived in the rain, but the frequent showers were never enough to dampen our enthusiasm. There were four Squirrels in Edinburgh this year and all of us have written below about shows we’ve loved, or not loved, or not had the chance to write about previously.

Hannah GadsbyThe Big news to come out of this special anniversary festival is that Australia’s own multi award winning (The Barry, The Helpmann, Adelaide Best Comedy) comedy champion Hannah Gadsby has won the Best Comedy Show Award at Edinburgh. It was a joint win with John Robins and my impression is that their shows are a sort of yin and yang, with John’s show The Darkness of Robins being an anguished cry of help from the depths of a breakup with his more famous girlfriend Sara Pascoe (who was doing her own take on the breakup in an equally well reviewed but not nominated Fringe show Lads, Lads, Lads) and Hannah’s being a powerful, rallying rant of revelation against the apocalypse, Nanette. Previous Australian winners of Best Comedy at Edinburgh Fringe are Los Trios Ringbarkus, Lano & Woodley, Brendon Burns and Sam Simmons.

Other nominees for the 2017 Edinburgh Best Comedy Award were Ahir Shah, Elf Lyons, Jordan Brookes, Mae Martin, Mat Ewins, Sophie Wilan and Spencer Jones.

Best Newcomer Winner at Edinburgh Fringe was Natalie Palamides for Laid. The Nominees for Best Newcomer were; Chris Washington, Darren Harriott, Ed Night, Kwame Asante, Lauren Pattison, Lucy Pearman and Rob Kemp.

Rob Kemp did win Comedians’ Choice Award for Best Performer and Mat Ewins Presents Adventureman 7: The Return of Adventureman won best Comedians’ Choice Award Best Show.

Hannah will bring Nanette for its premiere season at the Sydney Opera House from  September 27 – October 8, before a string of encore performances at the Arts Centre Melbourne from Nov 18 culminating in Hamer Hall on Dec 1. I shouldn’t have to urge you to see it, if you’ve missed out on it so far.

Squirrel writers’ Edinburgh Fringe Round up

Colin Flaherty

My highlights at Fringe happen to be ones that I have reviewed, in particular Big Howard Little Howard

Big Howard, Little Howard (Howard Read) – Man and Boy

Andrew O’Neill’s Black Magick Fun Hour

Simon Munnery – Renegade Plumber

I also enjoyed Stuart Goldsmith – Like I Mean It, a hilarious hour that follows on from his previous show Compared to What where he continues to explore life with his new wife and son. He presents plenty of brilliant observations and plays around with the bird with clipped wings husband angle perfectly.

One off event WiFi Wars was a hoot, even though many of the games refused to play correctly on my underpowered tablet (I was only expecting to word process and web surf on it after all!). This late night, tech heavy show had punters competing individually as well as in teams. We laughed, we cheered and we got our geek on!

I had high hopes for Boris & Sergey’s One Man Extravaganza, an ambitious show featuring complicated puppetry, a crazy blurb and some wacky characters but I found it overlong and not enough laughs to hold my attention. Apart from the wonderful voicing of the characters, the expressionless puppets failed to connect with me.

Lisa Clark

I loved all the shows I reviewed with Jayde Adams (Is Jayded) being the exciting new discovery of the Fringe for me. The following are shows I loved but did not get a Squirrel write up.

Craig Ferguson ShowCraig Ferguson – The Craig Ferguson Show. All the Squirrels saw Craig’s recording of his live radio show and we all enjoyed it. Starting at 11.30pm to go live for drive time in the USA as well as Canada and Mexico, it went for 2 hours and consisted of two very entertaining in-depth chats with performers who were old friends of Craig. In our case an old close friend impressionist/comedian Jan Ravens and Scottish writer Iain Rankin.

Chris Coltrane – Make Love & Smash Fascism – a rather lovely, warm and approachable political comedian who taught me about the evils of Neo Liberalism which is extreme capitalism & pro privatisation of everything which basically seems to be the road to anarchy.

Dave Johns – I, Fillum Star. Dave Johns has been a jobbing comedian all his life and just as he was planning his retirement (he was going to give kids donkey rides at the seaside), he got a part in a film. On the 1st day director Ken Loach said, oh by the way the film is named after your character because you are the lead. I, Daniel Blake won a swag of awards taking Dave to Cannes and the BAFTAs and giving him a cracking tale to tell, and being a great comedian means Dave knows how to tell it for maximum laughs. This was a joy to experience with the message that it’s never too late.

Yianni Agisilaou – Pockets of Equality. As the title suggests, it’s about sexual politics and pockets. More importantly it was a very personal heartwarming show about love and family and one of the best shows I’ve ever seen Yianni do.

Disappointing shows were; Boris & Sergey’s One Man Extravaganza, a puppet show where three puppeteers per puppet failed to give the faceless repulsive puppets any personality, or make an interesting show. Then there was The Great Comedy Cooking Challenge which in no way described the show at all. The two guys had not planned their Festival show at all leaving the audience more bemused than amused and the main one telling the story of how he fell in love with cooking kept saying “I think that might’ve gotten a better laugh”. Nup.

Back to other highlights for me which were the inimitable and indefatigable Doug Anthony Allstars – Near Death Experience, Wifi Wars live online gaming which was a completely different kind of Festival show and finally, Simon Munnery doing a gorgeously crafted show about fixing things, bookended by two great songs. I was lucky to see Simon when Renegade Plumber had been bedded in and found it to be the tightest show I’ve seen of his in years, it was a beautiful blend of the personal and political, with the title perfectly describing the show.

Phoebe O’Brien

Fringe Shows that were highlights not formally reviewed

2 Become 1

The Swipe Right Theatre Company have created a fun and fabulous night that will capture your heart with its upbeat mix of 90’s music. It will also hit you right in the funny bone with A grade performances from a heavenly cast.

The cast of four stunning vocalists sing the hits; from Destiny’s Child to Des’ree to the Spice Girls and so many more! The 90’s bangers are intertwined within a story of friendship and heartbreak, as one of character’s, Jess breaks up with her boyfriend. After the news, her best gal pals do the only thing that would obviously ‘help’ Jess from a breakdown due to the breakup
speed dating.
At its core ‘2 Become 1’ is heartfelt and funny. You can even have a little boogie and sing-a-long of your own while you’re there. Now tell me, what more could you want? Could you really, really want?

David Quirk – Cowboy MouthDavid Quirk Cowboy mouth

After missing David Quirk during the Melbourne International Comedy Festival, there was no better option than to catch his show ‘Cowboy Mouth’ at the Fringe. Quirk is the king when it comes to long form narrative story-telling, his tales from his childhood and the awkward meeting with his neighbour were tops.

Amongst the anecdotes, the show was knitted together with audio clips of the recollections of dreams people have had about him.
ps. Quirk performed on a bus and had an excellent jacket. Very cool.

Britney – John
A hidden treasure amongst the thousands of incredible Fringe shows was the sketch duo behind John. Charly Clive and Ellen Robertson are two 20 something year old mates from the UK, who make up ‘Britney’.

In their show ‘John’, the pair reminisce about the time they were just out of high school, exploring America and working on a documentary about president of Congress; John Hancock. For the documentary, they filmed interviews around America with other men with the same name. Their trip abroad became the centre for the show, with critique of the footage and their interviewing technique strong points of the show. Their ability to create stand-alone vignettes and natural storytelling was a highlight, revealing the effort both Clive and Robertson put into their follow up to their previous show ‘Britney’
which is also now the name of their duo, not confusing at all. I strongly believe we will be hearing big things from these two talented performers.

Alice Marshall – Blood
In her show solo show Blood, Alice Marshall captivates her audience with wonderfully executed character sketch comedy. Marshall has great comedic timing, while delivering a punchy hour of pure joy. I can’t wait to see more of her work further down the track.

Ron Bingham

My Squirrel fest started with a couple of excellent Aussie acts which turned out to be highlights Laura Davis (Cake in the Rain) and the Doug Anthony All Stars (Near Death Experience).

The three other shows that made me laugh out loud the most were:

Lucy Pearman – Maid of Cabbage Look What Youu Made Me Do

Demi Lardner – Look What You Made Me Do

Mark Steel – Every Little Thing’s Gonna Be Alright.

Lucy and Demi for their props and general air of controlled chaos, and Mark for his political insights and honesty about his recent marital troubles. I also enjoyed Muriel -(Bad Master) for their use of multimedia and fun sketches and The Canon -(A Literary Sketch Show) for their literary humour

I saw some fabulous new talent (two were deservedly nominated for best newcomer – Lauren Pattison and Lucy Pearman) and caught up with some excellent established acts. Saw some early shows and some late ones, drank a little too much of the free alcohol early on, nearly got blown off the top of Arthurs Seat after seeing a show up there called This Arthur’s Seat Belongs to Lionel Richie, and missed a lot of acts (ones I regret most not managing to fit into my schedule include Sarah Kendall, Ingrid Oliver and Hannah Gadsby). Importantly I only saw two shows which didn’t achieve the high standard I expect. Met a lot of lovely people, as always, and have already pre-booked for next year.

Sara Pascoe vs History

By Ron Bingham

Standup Sara Pascoe is playing in a lovely big room, which I am assuming is normally a lecture theatre. In front of the seats is a bench for resting your drinks on (that’s how students get through lectures these days, isn’t it?) and the seats are very comfortable. It also sets the scene for an extraordinary history lesson.

The history that Sara is fighting against is her own personal history, as we hear about her family, a few youthful crushes (I now have too much information in my brain about boy band Take That), her relationships and her biological clock. This is interspersed with a number of facts about biology and mating as well as opinions on relationships, sexism and the media. It doesn’t get heavy or preachy, and Sara is an engaging host through the intricacies of mating rituals (and sperm selection and drawing genitalia). Sara is like one of the best teachers you remember getting laughs from intelligent insights but also occasionally quite silly. I can attest that she is correct about how the rest of the world sees the local tabloid newspaper’s Page 3. Sometimes Britain can seem a little weird.

This follow up to Sara Pascoe Vs The Truth is for people who aren’t afraid to hear a little bit about the human body, well, quite a lot about the human body, and the latest anthropological theories about female sexuality and gene selection. I did get the impression that the show could more correctly be titled “vs sexual history”, but maybe that would have scared some people away. Sara isn’t scary at all, though there may have been some rude words used during the show. If you want a show which is very funny as well as educational for grown ups, with the added bonus of somewhere to rest your beer, get to this show. Sara is gaining quite a following, the room was close to full on the night I was there so I’d recommended getting tickets early.

Sara Pascoe is performing Sara Pascoe vs History at Assembly George Square Studios.
For Tickets and more information go to the Edinburgh Fringe Website:

https://tickets.edfringe.com/whats-on/sara-pascoe-vs-history

Set List

By Ellyse O’Halloran

Set List is a rollercoaster ride of randomness, hilarity and fun where comedians are given a never before seen set list and are forced to improvise a set in front of your eyes. After seeing the show last year and loving it, I was so eager to go back again and it definitely did not disappoint. Troy Conrad is the mastermind behind Set List with the help of Paul Provenza who MCs the show and does a fantastic job of warming the crowd up and creating a supportive atmosphere and great vibe.

On Saturday the lineup included Celia Pacquola, Gordon Southern, Dave Bloustein, Sam Simmons, Sara Pascoe and Sean Cullen and the topics ranged from ‘Loans for Dogs’ to ‘Non-Sexual Hand Job’. We see the topics at the same time as the comedians and it’s so entertaining watching them squirm and sometimes even be surprised by their own wit and intelligence.

The room is packed with supportive punters, who are asked by Provenza to be the ‘wind beneath the comics’ wings’. No one is there to see the comics fail, they are there to witness in real-time how comics develop content.

One of the greatest things about the show is that you don’t know what to expect and neither do the people on stage. Every performance will be completely different from the last with new comedians and new topics each night. It’s a show I’d encourage you to see multiple times, as different comedians tackle the beast in different ways.

There’s something special about knowing that the entertainment is unique to the night and is for this audience and this audience only. You can try to explain how hilarious and sidesplitting certain gags were, but more often that not you’ll find all the moments during Set List were had-to-be-there moments. It has to be seen to be believed so be prepared to convert the non-believers by taking them with you to enjoy another night of improvised hilarity.

Set List is on at the Victoria Hotel until April 19
http://www.comedyfestival.com.au/2014/season/shows/set-list

Sara Pascoe vs The Truth

By Lisa Clark

 

Sara Pascoe is strange. It took a while for me to warm to her, especially after she opens with a convict joke but it’s a set up for later on when she admits ‘I like to say something at the beginning that means I have to win the audience back’. It worked and she proved to be an intelligent, fascinating and slightly unhinged performer who was fun to spend an hour with.

There are lots of weird aspects to Sara Pascoe vs The Truth, I always worry about comedians when they brag about drinking too much, she also goes through some irrational fears, and worrying paranoia. I enjoyed a rant against hairdressers that led to her having to cut her own hair and her horror gig story garnered a lot of sympathy from the audience.

The topics Sara covers are a bit all over the place but the audience can’t miss the major theme for this show. It’s written on the Tshirt Sara had especially printed and is wearing; “There are no facts, only interpretations.” – Friedrich Nietzsche. She repeats this throughout the show and it often makes a good punchline. There are actually a lot of surprisingly intellectual moments throughout the show. She also becomes gradually more political, but never hits you over the head with her ideas.

Sara Pascoe is clearly very experienced at stand up from the UK and keeps the audience laughing throughout. She is more of a joke teller than a story teller in that the stories feel like they are there for the jokes rather than because she wants to share a tale with us and there is no overarching tale as such. That’s not to say that there isn’t some form of structure, with her repeated quote reminding audiences to ask where the truth lay in her words.

It’s hard to know if the drunken, rude, paranoid side of Sara is a character she puts on for the audience or not. That’s a more acceptable type of comedian than a brilliant, erudite, feminist, philosopher, perhaps. Sara Pascoe vs The Truth is definitely a show I would recommend to audiences with open minds who enjoy something a bit skewed. Certainly one to take your friends to who like something smart and different.

 

http://www.comedyfestival.com.au/2014/season/shows/vs-the-truth-sara-pascoe