After six years of performing at the Fringe, and with nothing to show for it apart from four broken relationships, two lost houses and five unaired pilot episodes for the BBC, Phil Ellis has decided this will be his farewell performance.
As he is a very deceptive performer, it is difficult to be sure whether any of this is true or not. Are those drunks in the audience real? Was that clown supposed to die like that? Is Phil really running that much overtime? (I can say yes to this at least as, even with all the hurry-ups from his soundman, we still finished ten minutes late). Was young Phil really that sexy looking and saucy? Why was that swingball set (totem tennis) on a stage much to small for it to be used without losing a few audience members? Was the can thrown by those drunks meant to swish so close to my head that it parted my hair and left a trail of Guinness foam in my hair? Only multiple visits would be able to determine the answers to these questions and, sadly, I think the rest of the run is sold out.
The show was packed and the audience was loving every minute of this show, even the melancholy and tragic bits. Phil is a comedian who, with an able band of willing to be very embarrassed friends, will leave an audience very happy but slightly mystified as to what was real and what was a fortuitous accident. Mug someone for a ticket to Au Revoir if you have to. One of my must-see shows this Fringe and I hope to see his “we reformed the band” visit next year.
Au Revoir is on at Heroes @ The Hive until August 25