The 2014 Melbourne International Comedy Festival Award Winners

By Lisa Clark

Tonight the 2014 Melbourne International Comedy Festival Awards were presented at the Festival Club Hifi Bar at about 1am as usual. The top award The Barry was awarded to an emotional, teary Denise Scott who thanked everyone and spoke glowingly of an industry who supported her during her thirty years performing comedy. She also remembered her late friend Lynda Gibson, saying Gibbo would’ve loved Golden Gibbo winners Fancy Boy Variety Hour.

The Fancy Boys (Stuart Daulman, John Campbell, Greg Larsen, Henry Stone and Jonathan Schuster) collected their award as a group and were an absolute credit to Gibbo and to comedy. Ronny Chieng, winner of the Directors Award spoke of the kindness and support in the comedy industry and of the magic of laughter in all the rooms around Melbourne for a month, like happy light shining into the world. Wil Anderson also made a lovely speech and said he would award the money part of his prize to the Moosehead Award recipients encouraging young things to grow.

Stella Young was another crowd pleasing emotional winner of Best Newcomer and thanked her director and friend Nelly Thomas. Sarah Kendall was awarded the Piece of Wood Award (Peer Awarded Comedian’s Friend Thingy) by Andy McClelland (as Greg Fleet was indisposed) and bit into the Piece of Wood with vigour and said she will be taking the Slice of Pine to the UK for a bit.

We at Squirrel Comedy would like to congratulate all the wonderful winners and also to everyone who took part in the Festival this year. We’d also like to thank the Melbourne International Comedy Festival Team for putting in all the work to give us a fabulous Festival every year. We’ve had a ball and it’s not even quite finished yet! Remember as we always say, a puppy isn’t just for Christmas and comedy isn’t just for a festival. Get out and see some comedy throughout the rest of the year. Laughing is good for you!

BARRY AWARD
Winner – Denise Scott – Mother Bare

Nominees
Celia Pacquola – Let Me Know How it All Works Out.
John Kearns – Sight Gags For Perverts
Kyle Kinane
The Boy With Tape On His Face – More Tape
Tim Key – Single White Slut
Trygve Wakenshaw – Kraken

GOLDEN GIBBO AWARD
Winner – Fancy Boy –Variety Show

Nominees
Andy Matthews  – String Theory
Pajama Party
Rama Nicholas – After Ever After
Stella Young – Tales from the Crip
Trygve Wakenshaw – Kraken

BEST NEWCOMER AWARD
Winner – Stella Young

Nominees
Amos Gill – You’ve Changed
Tien Tran – If you Don’t Know, Now You Know.

DIRECTORS’ CHOICE AWARD
Winner – Ronny Chieng – Chieng Reaction
Special Commendation – The On-gals Babbling Comedy

AIRBNB PEOPLE’S CHOICE AWARD
– Wil Anderson – Wiluminati
Runner Up – Denise Scott
3rd Place – Em Rusciano

PIECE OF WOOD AWARD
Sarah Kendall

FUNNY TONNE
Chris Menezies – 158 shows

ALSO – Previously Awarded

DEADLY FUNNY AWARD
Stephanie Tisdell from Queensland

RAW COMEDY Grand Final Winner
Matt Stewart from Melbourne, Victoria
Runner Up – Katie Burch from Cronulla, New South Wales

CLASS CLOWNS National Grand Final Winner
Gregor Tarrant from Wodonga Middle Years’ College in Victoria

Die Roten Punkte : Eurosmash!

By Alanta Colley

Astrid and Otto Rot are back this Festival with their latest tour of ‘Eurosmash’; their fourth album. The duo spared no expense in this flashy sense-saturating production. They take us into outer space, the world of celebratory diets, romances on the road, and reveal an uncomfortable amount of detail about their personal lives in the process.

The two have created a delightful mash up of rock concert and comedy gig. Combining the best of physical theatre, clowning, character comedy, and musical comedy, with added sparkles and face paint, this is an all-round glamorous and entertaining experience.

Die Roten Punkte (German for The Red dots) contains delightfully confusing layers of parody. Astrid Rot and Otto Rot (Australians Clare Bartholomew and Daniel Tobias) conduct a loose mockery of the White Stripes; the pair drawing on their relationship as siblings; where traditional boundaries are just a little dubious. Otto’s innocence and sincerity is constantly crushed by his bossy and overbearing older sister. These two don’t seem entirely suited to the glam rock lifestyle of sex, drugs and rock n roll they both purport to live. For some reason they are also hail from the roughly German school of pop rock. The two are in the process of trying to deliver a rock concert; as petty squabbles, grievances, tangents, and accidents keep interrupting the flow of things. Throughout the performance we slowly patch together their history as orphans and their bumpy journey to fame. As per usual an amount of awkward audience participation makes the whole thing more ridiculous. It’s a whole lot of fun.

Like Spinal Tap the pair bridge the gap between parody and also being an actual band; their new songs including ‘Do you speak Dance’ and ‘Body Slam’; both hilariously performed on children’s sized instruments. Go for the glamour; stay for the train wreck of sibling rivalry.

Eurosmash! is on at the Forum Theatre – Downstairs until April 19
http://www.comedyfestival.com.au/2014/season/shows/eurosmash-die-roten-punkte

Sammy J & Randy’s Difficult First Album Tour

By Alanta Colley

Sammy J and Randy the puppet are back this Festival, with an all stops removed adventure in comedy.

There’s nothing like a tour to test the friendship of the most resolute duo. In this performance we hear of the phobias, the tricks, the grievances and the good times Sammy J and Randy have experienced in this; their difficult first album tour.

You can expect a delightful cocktail of the Sammy J and Randy branded duets, banter, and audience interrogations. Randy the puppet, with his purple tampon-shaped head and exasperated persona has been friends with Sammy J since their unemployed no-hoper university days. Sammy J, upright, clipped, and besuited, takes to the keys, his trusty juice box always within reach. The two challenge traditional ‘straight man, funny man’ formulas – both taking turns to challenge the patience of the other and the direction of the show. The two flirt with Randy’s identity as a puppet- sometimes destroying the illusion, sometimes pushing it to new (naughty) levels. The dexterity with which the two perform is phenomenal; it was sometimes easy to forget their was a man operating Randy from beneath the curtain (spoiler). Randy’s physicality is pretty amazing; transcending Sesame street norms, and wandering into delightfully adult territory for a puppet.

The many musical numbers are a highlight in this hour. Themes wander all over the place into deliciously original material; the existential angst caused by the census being an example . The only criticism that could possibly be made is the claim to have achieved nothing with their lives was at odds with the salubrious grandeur of the Forum from which they performed to an adoring audience who had packed out the venue.

This is an exceptionally tight performance. Fast paced, furiously cheeky and very witty; get along to this packed hour of entertainment before the end of the festival.

The Difficult First Album Tour is on at the Athenaeum Theatre until April 20
http://www.comedyfestival.com.au/2014/season/shows/difficult-first-album-tour-sammy-j-randy-s

Squirrel Writers pick their Favourite MICF shows of 2014

The Squirrels see a LOT of shows during the Melbourne International Comedy Festival but what each of us sees varies a lot. The quality, we agree has been quite high and we’ve seen very few duds. Some of us see more shows than others, still have several shows to see and we don’t all see the same shows, so we can’t really pick a favourite overall, instead we each offer you our favourite shows for 2014:

Alanta Colley

Kraken – Trygve Wakenshaw

Noise adventure – Kate dehnert

It’s Eddo- Anne Edmonds

Dave – Zoe Coombs Marr

Pajama Party – Sarah Jones & Nicholas Johnson

 

Colin Flaherty

Damian Calinan – The Lost WW1 Diary of Private Paddy Callinan

John Kearns – Sight Gags for Perverts

Max & Ivan The Reunion

Fancy Boy Variety Show

Kraken – Trygve Wakenshaw

 

Elyce Phillips

Dr Professor Neal Portenza – Performs his Own Autopsy Live on Stage. One Night Only. (Obviously)

Asher Treleaven – Smaller, Poorer, Weaker, Cheaper

Lessons with Luis – By Myself

Rhys Nicholson – EURGH

Steen Raskoplous – I’m Wearing Two Suits Because I mean Business

It was a really tough pick through! Sam Simmons was also great and so was Paul Foot.

 

Ellyce O’Halloran

Set List

Joel Creasey – Rock God

Neil Sinclair – Charmingly Useless

Improv Conspiracy’s A Night in Chicago,

 

Lisa Clark

Justin Hamilton – Johnny Loves Mary 1994

Edge by Isabel and Rachel

Adrienne Truscott’s – Asking for It: A One-Lady Rape About Comedy Starring Her Pussy and Little Else!

Lessons with Luis – By Myself

Ronny Chieng – Chieng Reaction

I also loved Alice Fraser, Stella Young, Max & Ivan, Celia Pacquola, Fancy Boy Variety Show and Wolf Creek the Musical (OK, it’s REALLY hard!)

 

Noel Kelso

So far I’ve seen 84 shows, the vast majority of which have been great. My top 5 are –

The Earth Is Flat – Simon Godfrey

She Was Probably Not A Robot – Stuart Bowden

Sketch-Ageddon – Jason Geary & Jimmy James Eaton

The Boy With Tape On His Face

Max And Ivan The Reunion

 

Sofia Monkiewicz

Stephen K Amos – What Does the K Stand For

Wil Anderson – Wiluminati

Kate Dehnert – Noise Adventure

Luke McGregor – I Worry that I Worry Too Much.

Sam Simmons – Death Of A Sails-Man

Micah D Higbed in DisasterChef

By Elyse Philips

As a society, we’re more obsessed with food than we’ve ever been. Cooking shows are some of the most popular on tv, social media is riddled with pictures of people’s meals and new food trends seem to crop up every week. In ‘DistasterChef’, Micah D Higbed takes aim at this obsession and breaks it down in hilarious ways, getting to the heart of why we eat what we eat.

‘DisasterChef’ is a show with broad appeal. It isn’t, as the title might suggest, focused on poking fun at the culinary reality shows that flood our TV screens (although for those of us that watch MasterChef, there’s a story about George in there that you’ll enjoy). Instead, Higbed looks at our wider relationship with what we eat – from religion and ethics, to fast food and superfoods. There are some touchy subjects in there, but Higbed handles them beautifully. His material is thoughtful and doesn’t resort to cheap shots – often.

Higbed has a great knack for connecting with the audience. Right from the start he struck up a rapport with his casual, conversational tone. He jokes about “breaking down the fourth wall” as he sets up his own introduction and sneaka peeks at his crib sheet while sipping beer throughout the night. This isn’t a particularly polished show in terms of performance, but Higbed’s style works well with the material. Jokes about things like Catholicism and famine are all taken in good humor because it feels like a friendly chat with a mate, rather than a comedian lambasting you.

‘DisasterChef’ is a show that will keep you laughing, but also make you think. Higbed is an intelligent comedian and he approaches his topic in a way that is fascinating and funny. It’s a great pick for all the foodies out there.

DisasterChef is on at Fort Delta until April 20
http://www.comedyfestival.com.au/2014/season/shows/disasterchef-micah-d-higbed-in

The Bathtub Grin : The Inspection of Stanley Manor

By Colin Flaherty

A frustrated vampire (Howard), a suicidal ghost (Phillip), a brain dead mummy (Adio) and a kooky mad professor were the housemates in the titular Manor. All was idyllic until the arrival of an inspector from the council. Faced with the demolition of their home, this unlikely group had to band together and get the place in order whilst all manner of wackiness ensued. It was almost like a sitcom version of the TV series Being Human with less bloodshed.

The majority of the humour came from the stupid behaviour of the various ghouls and freaks. All displayed hilarious witlessness which was a joy to watch. The character of Howard mostly played the straight man, with a wonderful Nick Cadaye-esque grumpiness, but he occasionally got to shine comedically when ineptly interacting with humans. Overall the script was fairly solid even though it didn’t have rapid fire laughs often demanded by a comedy festival audience. Things often got bogged down with exposition which created some quiet patches, but there was always the anticipation of more stupidity around the corner to keep you interested.

Towards the end things started to get meta as the character’s reality started to break down. We saw the narrator go rogue, Howard trying and failing to explain some large plot holes, a minor character suffering an identity crisis and an admittance of inaccuracy in the show’s advertising blurb. These were very clever and amusing ways of subverting theatrical conventions that added to the anarchy of the piece.

Minor characters were introduced throughout the show and, with only four cast members switching between the roles, it almost became difficult to keep track of them all. Most of these bit players existed only for a single joke that had a tenuous link to the plot. Considerable effort was made in costuming and voicework for these beings, perhaps more than they really deserved. The cast did a wonderful job in their portrayal of all these eccentric creatures, hamming it up and exaggerating every gesture.

The staging of the show was impressive with dramatic lighting and gorgeous shadow puppetry used in the introduction and linking between scenes. Some scenes even took place entirely behind the large screen, giving an otherworldly atmosphere to scenarios exploring the mundane. There were often delays in transitioning from one scene to the next but considering the small cast and their ambitious staging, this was inevitable. Congratulations to the cast for creating this wonderfully absurd comedic play.

The Inspection of Stanley Manor is on at The 86 until April 19
http://www.comedyfestival.com.au/2014/season/shows/the-inspection-of-stanley-manor-the-bathtub-grin