Category: Festivals

5 Good Reasons To See Love, Factually with Tom Lang

1. Once you find out the weird crap snails get up to, you’ll never look at a snail the same way again. Tired of looking at snails the same way? We’ll fix that!

2. Will help you understand the opposite sex. And your own sex. Or if you’re one of those animals with more than one sex, those too.

3. At least three holy shit really moments. We’re so confident that you’ll be amazed by at least three things you hear in this show, that we won’t even offer you your money back, because nobody would need to take that offer up! That’s how confident we are.

4. Will make you a brilliant dinner party conversationalist. You’re sitting around a dinner table in silence. Everyone’s uncomfortable. You pipe up “hey, did you guys know owls don’t have penises?” Smash cut to the party going AWESOMELY and it’s all thanks to you. Good work.

5. Sounds a bit like love actually. So if you say it really fast you can bring a date, because they’ll think it’s some kind of lame romantic comedy instead of a searingly insightful hilarity-fest.

Love, Factually is on Thursday, Friday and Sunday at The Imperial

http://www.melbournefringe.com.au/fringe-festival/show/love-factually/#

Nellie White is The Shitty Carer

By Colin Flaherty

In …The Shitty Carer Nellie told the story of her experience working in the UK as a carer, a role she was rather unqualified for and completely unprepared. The advertising is rather drastic (see the image to the right) so the expectations of something comically over the top were high. The resultant show however was the polar opposite with low key observational humour, deliberate pacing and an extremely serious tone.

The show started off well with some amusing stories about her time spent in London and how she fell into her role as carer. We heard of how dreary London was, her brief spell of homelessness and the homes she shared with some eccentric characters. Most of the humour came from White’s blunt, occasionally crude, comments about her actions and bizarre quotes from the people she encountered. We laughed with some shock at her temerity and often un-PC thoughts.

When White went into detail about the woman she cared for, a former doctor named Lee, the number of laughs decreased dramatically. There was the odd amusing comment about her comical attempts to cope but generally it turned into heartfelt recollections about her time spent with Lee and her dismay at the lack of support for the gravely ill. This about-face seemed to be due to both the very serious subject matter and her direct involvement with Lee who, as revealed at the top, had passed away since.

It must be a huge emotional drain to revisit these memories every night but it was a hindrance to both the comical content and her delivery. Her words slowed even further than her usual laissez-faire candence and she seemed to be on the verge of tears. After about only thirty-five minutes we were thrust from the theatre to ponder the experience. Her conclusion was not very optimistic and left all feeling rather down; not the greatest way to end a comedy show.

There were the bones of a powerful and entertaining performance in this show but it needs some work before it becomes a polished comedy work with a message. It would have been nice to see some rage rather than all the sorrow to get the points across in an amusing manner.

Nellie White is The Shitty Carer is on at The imperial Hotel until October 6
http://www.melbournefringe.com.au/fringe-festival/show/nellie-white-is-the-shitty-carer/

Radio Variety Hour

By Colin Flaherty

At the tail end of the golden age of radio, the Radio Variety Hour soldiers on. We were privy to the back stage / off-mic banter between the cast (bickering about the onset of television) and saw them transform to all smiles once the microphones were switch on. The looming domination of the cathode ray tube gave them the opportunity to make some jokes about modern day technologies and the arguing was the basis for a subplot involving the cast’s lives away from the studio. The main focus of the show was the radio show segments with their hilariously out-dated sponsorship announcements, amusingly antiquated moralities and some good old fashioned audio drama with plenty of laughs thrown in.

Being a radio program our attention was on the wonderful vocal performances and inventive sound effects. Una Broben (played by Lauren Bok) handled the parts of a feisty detective with film noir stylings, a strangely alluring alien cat and a creepy “children of the corn” type child with brilliant confidence and style. Bert Maverick (Bert Goldsmith) handled announcing duties with faux authority and played a comically stoic space captain (a combination of Futurama’s Zapp Brannigan and Captain Kirk) with consummate ease. Johnny Ray styled crooner and wannabe teen heartthrob George Hunt (Ben Vernel) belted out a hilariously soppy over-sung song and played a wonderfully evil crime boss (ala Peter Lorre).

It was interesting to see that they didn’t employ a dedicated person to franticly generate the foley, instead each actor took turns in using the props to bring the stories to life. Popped balloons, punched lettuce and tin can echoes added to a pre-recorded soundtrack to tell these hilarious stories in a fun, chaotic manner. We even got laughs when devices didn’t make the appropriate noise and the performer attempted to explain it away.

The script was witty with charming period phrasing and amusing word play. It was fun to see the cast throw in left-field comments, not necessarily to make the others corpse but to cover mistakes. These minor errors would have passed by the audience unnoticed if they hadn’t drawn attention to them but they added some extra lunacy nonetheless. There was the odd stifled giggle but they were able to recover quickly and dive straight back into the script. All were very expressive in their radio performances both vocally and physically, and even included the odd visual joke for the in-studio audience.

We laughed, we cheered and were regularly on the edge of our seats. This was a fun hour of nostalgia with brilliantly constructed stories to enthrall all ages.

Radio Variety Hour is on at the Lithuanian Club until October 5
http://www.melbournefringe.com.au/fringe-festival/show/radio-variety-hour/

Pop Mashup: Happy Birthday Doctor

By Lisa Clark

The EmCee is a ‘Brony’ (a bloke who’s into My Little Pony according to Know Your Meme) and the plot concerns Hermione Grainger teamed up with The Doctor to save the Earth from world domination by the evil Ms Grumpy Cat and her Minions. If this plot has you excited then you are a fellow nerd and this show is for you.

The Dr. Who television series turns fifty this year and apart from the BBC special coming up this month and the monthly year-long podcast by Splendid Chaps, here is another way for fans to join in celebrating the Year of The Time Lord. Fans of Harry Potter, Russian cat videos, internet memes and other nerdy pursuits  will also find things to celebrate. I noticed references to Star Trek, Gilbert & Sullivan, and Terry Pratchett too.  Writer and Director Katherine Phelps knows her stuff, an old-school geek who wrote one of the first and popular Australian books on how to surf the Internet when such things were new and just starting to break out beyond the realm of computer geeks. There are no academic insights here though, it’s pretty much an enjoyable diversion with lots of laughs and sing-alongs.

The plot is just as wacky as any modern Dr Who story. The Doctor, superbly portrayed by Ruben David Francis arrives in his Tardis to find that he has regenerated into the body of a man of short stature and has landed on a teenaged girl called Hermione Granger. Hermione, a perfect Dr Who companion and beautifully realised by Sarah Cooper, is looking for Harry Potter who has become the minion of the megalomaniac Villainess Ms Grumpy Cat in an inspired portrayal by Melinda King as a voluptuous Russian Puss in boobs – sorry- Boots.

There is a great ‘Christmas panto for Nerds’ feel to this show with  Zip the Emcee, warmly interpreted as a sort of Buttons character by Andrew Cross. Some of the references are a little obscure, like Nyan Cat. I know what it is but still don’t really get it or its appeal. Ruben’s excellent performance of The Doctor made me think, with all the calls for a female or black Doctor every time he regenerates, have they considered a person of small stature, or an Australian? If not they should check out Ruben, he’s really lovely in the role.

The fun started in the foyer as we entered and later the audience were encouraged to join in on the songs. The props and costumes were clever and added to the atmosphere, though Tard the Grumpy Cat’s outfit leaves little to the imagination and might excite teen boys in the audience a bit too much. Otherwise it’s a great show to take your kids to. The back screen is used simply, to establish scenes  and for some graphics in the finale. It’s good that it doesn’t distract from the show but more fun could be made with it as scenery and so on. The songs are mostly in the “Filk” style of fandom parody or singing new comedy lyrics to known tunes which in this show includes “Love Cats”, “I’m Just Wild about Harry” and a medley from Hair the musical. Though the lyrics were funny, the joke was quickly established and most songs outstayed their welcome. One chorus and verse would have done nicely rather than the entire song.

Beyond the Fringe, [there’s my own nerdy reference] I can imagine this Pop Mashup going down very well at a fan convention.  There is a lot to love in this daggy production, it’s funny, performed with confidence and gusto by an engaging cast and we all got to sing Happy Birthday to The Doctor,  it was a huge hoot.

Pop Mashup: Happy Birthday Doctor is on Wednesdays, Fridays and Sundays until October 6th

http://www.melbournefringe.com.au/fringe-festival/show/pop-mashup-happy-birthday-doctor/

5 Good Reasons to see Alasdair Tremblay-Birchall and Pat Burtscher in 2 Shows

Below are some 5 good reasons for both Alasdair Tremblay-Birchall and Pat Burtscher joint shows.

5 Good reasons to see Alasdair Tremblay-Birchall and Pat Burtscher in their Split Show.

1 – You are free between the hours of 8.15pm and 9.15pm on Thu, Fri and/or Sat

2 – You like watching things that’ll never happen again

3 – You like paying to watch things.

4 – You like laughing a lot. (This isn’t one of those shows for people who hate to laugh like the opera).

5 – You like clapping and sitting. (This is one of those shows for people who love sitting and clapping like the opera).

 

5 Good Reasons to see Alasdair Tremblay-Birchall and Pat Burtscher in Soul Bank

1 – You are free between the hours of 9.30pm and 10.30pm on Thu, Fri and/or Sat

2 – You like watching things that’ll never happen again

3 – You like watching things for free, but leaving donations after

4 – You like laughing a lot. (This isn’t one of those shows for people who hate to laugh like the opera).

5 – You like clapping and sitting. (This is one of those shows for people who love sitting and clapping like the opera).

Soul Bank is one of those great late (ish) party shows at the Fringe with rotating guest comedian/performers. Take some friends, a few drinks from the Tuxy bar and have a rollicking good time. They have a great rapport and I’m sure their split bill show is great too.

Alasdair Tremblay-Birchall and Pat Burtscher
http://www.melbournefringe.com.au/fringe-festival/show/alasdair-tremblay-birchall-pat-burtscher/

Soul Bank
http://www.melbournefringe.com.au/fringe-festival/show/soul-bank/

 

Impromptunes

By Elyce Phillips

The concept behind Impromptunes sounds simple enough – the audience suggests the title of a brand-new musical and the performers create it before your very eyes. Actually inventing a new musical every night is a far more complex matter, however, the cast of Impromptunes make it look like the easiest thing in the world. Using their considerable musical talent, they work together to produce original works that are funny and full of heart.

Impromptunes features a rotating cast from a whole lot of different improv groups around town. On the evening I attended, the team consisted of Cameron Neill, Emmet Nichols, Louisa Fitzhardinge, Hollie James, Gill Cosgriff, Greg Lavell and Amberly Cull. The suggested title from the audience was ‘Purple Sneakers’, which led to the creation of a musical crime caper.

The musical told the story of the ‘Purple Sneakers Gang’ – an engaged couple who were planning to rob a bank – and a quartet of cops attempting to crack the case. Not only was the story the team created absolutely hilarious, there were even few moments that proved to be quite touching. The burgeoning romance between the two rookie police officers was adorable. The highlight of the show was the performance of ‘Life is a Panini’ – a wonderfully funny lament sung by Cameron Neill after his fiancĂ© and mother land in prison.

The team is quick-witted and all respond well to cues from their fellow players. Gill Cosgriff was a stand-out as the no-nonsense mother who was somehow married to Michael Douglas. The show was remarkably cohesive for something made up on the fly. Sure, there was the odd jumble up of names or logical inconsistency, but as a whole, the story made sense and was satisfying. Lucy O’Brien was fabulous on the keys as the musical improviser for the evening. Her score for the story was spot-on.

Impromptunes is a great piece of musical theatre performed by some very talented young improvisers. With a different crew and all-new show every night, you can’t be sure what to expect, but you can be certain it’s going to be an enjoyable night out.
Impromptunes is on in The Portland Room at The Portland Hotel until October 6.

http://www.melbournefringe.com.au/fringe-festival/show/impromptunes/#