Josh Glanc has been a staple at the Melbourne International Comedy Festival for years, producing frenzied, incoherent (in the best sense of the term), and absurdist shows for those open-minded enough to veer away from traditional stand-up.
Consistent with his past shows, Glanc’s Family Man embraces the ridiculous and the ludicrous, at the expense of conventions and norms, to great effect. Glanc (pronounced ‘Glance’ and not ‘Glank’) mixes together musical theatre, skits, vignettes, callbacks, multiple character transformations (a memorable French photographer and old man stand out), breaking the fourth wall, and audience participation (quite a lot of audience participation) to deliver an engrossing and regularly hilarious performance.
If you tuned into the MICF Gala, you saw a sanitised, diluted version of Glanc’s best bits and performance, clearly in an attempt to appeal to the broadest audience possible. In Family Man, the strangeness and absurdity which defines Glanc’s work is on full display, and optimally realised to leave his audience in stitches. There are times during the show which serve as a kind of interlude or interruption of laughter, including some of the singing parts, though moments of laughter are just around the corner.
Josh Glanc performs Family Man at The Chinese Museum until April 20.
The 75th Edinburgh Fringe Festival begins this week and, after a bit of an enforced break, there will be a strong contingent of Australian acts (as well as Aussie Expats and adopted Aussies) back in Auld Reeky town raring to tread the boards again. Here is a list of those we could find along with any reviews we have previously written.
Our British Correspondent Ron will be seeing a whole slew of shows and reviewing them for us.
To all those performers in Edinburgh, Chookas from The Squirrels and have a wonderful Fringe.
Virtually Funny… sorry, “The Melbourne International Very Serious Short Film Festival” provided plenty of laughs even though the sign at the venue stated that a serious art event lay beyond its doors. You knew you were in for a good time when the house music consisted of kitchy covers of the classic tune “Popcorn”.
First up was a bit of French New Wave by Marcel Lucont with plenty of his trademark arrogance and disdane which was being translated into Aussie for the audince’s benefit. When Marcel’s displeasure extended beyond the screen, you knew we were in for something special.
Next was Bec Hill performing her crowd pleasing flip chart illustrations of the lyrics to Piaf’s Je Ne Regrette Rien. This riotious routine started out normally but soon desended into some third diamension lunancy that added a whole new flavour to the piece.
Natalie Palamides presented an attempt at “philosophical musing” involving a herculean task of housework. This was played wonderfully straight so that when elements of the film invaded the audience it was a joy to behold.
Michelle Brasier and Josh Glanc provided some culture with a performance of Romeo & Juliet: Act 5, Scene 3. Hammy overacting and character breaking had us in stitches while lines and stage directions were changed on the fly with riotous results.
“Cinema Staff” Shari and Garry filled in for some “technical glitches” with a spot of karaoke but were soon interrupted by some unsavory foreigners (played by Viggo Venn and Julia Masli onscreen with in the flesh menace provided by David Tieck). We were treated to some cartoon violence, a strange rap performance and wacky love triangle (or was it a pentangle?).
Virtually Funny had shades of “The Show That Goes Wrong” with the in person team trying to hold things together as film and reality broke down. Our host (played by Janet A McLeod) was the arty farty type trying to maintain a veneer of high brow culture in the face of the chaos. The loveable dogsbody characters played by Tieck and Sharnema Nougar (of Two Little Dickheads fame), and Garry Starr offered plenty of help but fell hilariously short. The physical cast were run off their feet reacting to every breaking of the the fourth wall (or is it screen demolition?). Some of the reaction to cues were a little clunky but they pulled through on charm.
A brilliantly ambitious and inventive merger of film and live action, this show employed plenty of visual trickery to bring the filmic action into our laps. Congrats to the local team and the filmmakers for pulling off a hilarious tour de force.
Scotland’s capital city is bursting at the seams with talented artists as the Edinburgh Festival Fringe begins this week. As is usual many Australian acts are heading up to “sunny” Edinburgh to show the world what they’ve got. If you’re in town, be sure to check out some of these fabulous funny folk listed below.
We’ve compiled a list of all the acts we could find, along with links to the reviews of those shows that our Squirrel writers have seen at previous festivals. As usual we give the disclaimer that Festival shows are ever evolving beasts so the show that we saw could be rather different to current iteration.
If we’ve missed anyone, feel free to drop us a line (or contact us on social media)…
One word: wow. I had to watch a YouTube video of an interview to put to rest my suspicions that Glanc was an utter weirdo. It turns out he is actually capable of normal behaviour. In the interview I watched, you wouldn’t have batted an eyelid at his responses to his interviewer. They were modest, well-articulated, measured. Because, in his show, his conduct his quite out of this world; more bizarre and questionable, arguably, than Barry Humphrey’s famous turn as Dame Edna. Playing a version of himself, Glanc sings (which he isn’t half bad at), dances, and urinates – with a fake penis(es) – through the show, which focuses on his, let’s say, interesting relationship with his mother.
Glanc has been at this for a few years now, and his bizarro approach to comedy hasn’t dimmed. You have to give it to him – it definitely takes a lot of self-assurance to pull off something as audacious as what he does with Glance You For Having Me. His work isn’t going to be up everyone’s alley, but for those wanting to experience something beyond the standard stand-up routine, Glanc might just be what the doctor ordered.
Glanc doesn’t just thrive off funny, well-thought out lines, but also the wicked tension his awkward, unflinching brand of comedy elicits. Many of the laughs he gets are instantaneous; others land once the unsettling nature of the moment is fully appreciated.
The show starts off with a bang, followed thereafter by a steady flow of material, wrapped up by a truly disconcerting yet hilarious ending. I’m not entirely sure, even now, if what I saw was part of the show. If it wasn’t, then it shows Glanc’s kinetic ability for adaptation. If it was, then he’s done a great job of being so outrageous that everyone left stunned, and unsure, of what’d they’d just seen.
It’s not long now until the world’s largest fringe arts festival begins in warmer climes and again a massive contingent of Australians and expats are headed to The Edinburgh Festival Fringe. Many have traveled the Australian festival circuit and have been whipped into shape for international audiences. Some have been previously reviewed by Squirrel but remember they will have been further polished and may have been revised and reworked.
Hannah Gadsby
Last year Australian, Hannah Gadsby won Best Comedy at the Fringe, she’s had to cancel her Edinburgh Fringe run this year but there’s a lot more amazing comedy talent coming up from down under. If you are travelling anywhere near Edinburgh this August, have a look at the following list of shows and consider going to see an Australian act.
