David Massingham – Sketch Me Like One of Your French Girls

By Colin Flaherty

After being part of The Sexy Detectives (Melbourne Fringe 2014 and MICF 2015), David Massingham has gone solo in this one hander sketch show Sketch Me Like One of Your French Girls. He sets the tone with some requisite French accordion music and uses the themes of art and things of a French persuasion in some sketches. Things branch out into other fields, many with comically violent intent, including bizarre surgical practices, a small town marketing scheme, multiple requests for vengeance and many aborted Alcoholics Anonymous meetings.

All the characters he introduces us to are played as broad as possible for maximum wackiness. He is surely a student of the wild eyed looney school of acting and it works a treat. A script of bad puns, overt melodrama and witty wordplay has the audience constantly giggling if not in hysterics.

Massingham makes brilliant use of a flip book on an easel to set scenes, interact with his worlds and manipulate the audience. This combined with lighting changes, a bit of costuming, music and voice overs bring the scenarios to life beautifully.

A large majority of the sketches involve some audience interaction that requires them to leave their seat and join him on or near the stage, some on multiple occasions. While the sketches are tightly scripted, he leaves some wiggle room to react to punters actions and responses so that he can show off his impro talents developed with The Big Hoo Haa. There is nothing socially threatening, embarassing or complicated in these parts, he just wants you to join him in creating these scenarios. You can refuse Massingham’s invitations to join and he will (eventually) leave you be but he hasn’t as yet developed many amusing outs for those who won’t (or are unable to) play with him. I’m sure he will be able to read the punters better as the season progresses and adapt accordingly.

Massingham has created an inventive sketch experience that delights and has the power to regularly have you falling about with laughter. If you don’t mind taking part in his crazy universe rather than passively observing it, you will have a wonderful time.

Sketch Me Like One of Your French Girls is on at Tasma Terrace until April 8
https://www.comedyfestival.com.au/2018/shows/sketch-me-like-one-of-your-french-girls

Gosha Bodryi, Kaychu Symon & Gleb Tugushev – G’day Comrade! 

By Nick Bugeja 

Whenever comics from abroad perform in Australia, their sets inevitably grapple with Australian culture: its idioms, its whims, its myths. Their outside perspective doesn’t only provide ample laughs, but also a heightened sense of what our country is like. The best comedy of this ilk causes us to rethink and reflect on things we’ve so long taken for granted – perhaps our sanctification of sport, or our attitudes on politics. G’Day Comrade! gives this a hearty crack, with mixed – but admittedly enjoyable – results.

The performance is almost completely set around the Russian comedians often confused and baffled views of Australian life. Gosha Bodryi is the host of the show, and probably the most confident of the three comics. A former scientist, Bodryi tells us that he’s entered the comedy game “for the riches”. His jokes were perceptibly well-thought out, though his execution was at times uneven. When he got it right, he left the audience in fits of laughter. His suite of jokes involving Sale, the small-town in country Victoria where Bodryi first lived when he arrived in Australia, are to be savoured.

There’s a huge contrast in styles between the first and second sets. Kaychu Symon is the ying to Bodryi’s yang. She’s boisterous and lively, while Bodryi is calculated and controlled. Part of Symon’s appeal was her unrestrained approach, the way she laughs at herself and moves around the stage. She jumped right in with a series of ribald jokes, setting the tone for her performance. As a mother, a divorcee, and a former Israeli and Russian citizen, Symon has a wealth of life experience to draw on for her set, and at around 15-20 minutes, you’d like to hear more of her material. Though, it’s certainly better to leave your audience wanting more, than to exhaust them with material.

The last comic of the night (or afternoon, depending when you see the show) is Gleb Tugushev, who gets on the stage with an unverified lotion on his face. He assures us it’s sunscreen, and it’s a good and early sight joke. Of the three, Tugushev is the zaniest. Some of his jokes were simply illogical, and others were amusingly bizarre, particularly around the native animals that populate our country. The fact that he had to look at his hand for prompts sometimes stifled the flow of his set, and I imagine this is something he’ll resolve in the near future.

G’Day Comrade! is united around the Russian and Australian perspectives of its performers. There were plenty of jokes directed at Putin – some trite, others genuinely funny – but the show focused far more on the personal and the local than the political and the global. Bodryi, Symon and Tugushev adequately prove that jokes about sexting, Australian school holidays, and Vegemite can be as funny as mocking politicians, governments or disagreeable ideologies.

G’Day Comrade! runs until 1 April. Tickets can be purchased at https://www.comedyfestival.com.au/2018/shows/g-day-comrade-russian-comics-down-under

 

Dark Triad – The Dark Triad Healing Experience

By Erin Hill

The Dark Triad Healing Experience is a slow burn that skewers the pomp and self-importance of the self-help industry, with a satisfying sarcastic heat.

It begins with performer Carla Scotto adopting the manner of a Southern snake-oil salesman and asking the audience for the title of a self-help book; for the show I attended the book was titled “Just Try”
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While few comedy groups would be bold enough to christen their protagonist ‘Beef’; Dark Triad is not made up of timorous players. Wry performances by the aforementioned Scotto, Amelia Williams and Jesse Vogelaar, carry the weight of this show as they tackle dark, absurdist worlds and characters that they create together in the moment.

The plot was at times difficult to follow as the trio created many different storylines, which could have drawn together in the end to a more pleasing conclusion in the show I saw. However each thread and character was performed with clinical fidelity, with an overarching tonal choice of gentle cynicism. Williams in particular would follow the bleakest inspiration, blinking her wide eyes as though butter would not melt in her mouth. The comedic tone is refreshingly unique and gratifying in the way that it is gratifying to pick at a scab. Horrifying in ways, but you find yourself left wanting more.

No matter how crazy the setting became, the performers committed throughout, drawling with ironic joy the blithe platitudes you expect from a self-help inspired performance. The show I watched kept harking back to the suggestion; “Just Try”,

Watching The Dark Triad Healing Experience will be just that each time, an experience unlike any other as they make up a show on the spot. From watching their opening night I can vouch however for an uncompromisingly dry tone and evident and endearing support between the cast mates. For a healing experience it might not be as wholesome as you’d expect but it will be amusing and acerbic throughout.

The Dark Triad Healing Experience is on at Club Voltaire until April 20
https://www.comedyfestival.com.au/2018/shows/dark-triad

5 Good Reasons to See This Is A Sketch Show

1. Ladies leave your man at home. The club is full of sketch show and there’s sketches full-grown.

2. This Is A Sketch Show is guaranteed to include more towels than any other show this festival OR YOUR MONEY BACK

3. Pies have never been so sexy, nor this mangled.

4. The closing sketch is so intense, the last time we attempted to perform it, it broke an adult man’s knee.

5. It’s at The Improv Conspiracy every Friday and Sunday throughout the festival, and Meyers Place is pretty cool now.

For bookings and more information go to the Festival website:

https://www.comedyfestival.com.au/2018/shows/this-is-a-sketch-show

5 Good Reasons to see Luke Leonard’s Mirth

1 Mirth is a story jam-packed full of true love, death, and poop

2 – It’s a tale of the triumph of the human spirit. Like Touching the Void, but with less* Boney M

3 – You like books

4 – Luke Leonard looks like The University Lecturer You’d Maybe Root, but when he’s going through a tough time

5 – No Bitcoin jokes.

Luke Leonard’s Mirth is on at both The Imperial Hotel and Caz Reitops Dirty secret. Check the website for more info

https://www.comedyfestival.com.au/2018/shows/mirth

Melbourne International Comedy Festival 2018 – Previously reviewed shows

The 32nd Melbourne International Comedy Festival has been officially

Lano & Woodley

Launched for 2018. Hosted by comedy legends Lano & Woodley, their reunion this year, after 12 years apart, in their new show Fly is one of the big thrills causing quite a buzz in a gigantic, exciting programme. There are more than 620 shows in this years festival. Some of the shows are encore performances and others that we Squirrels managed to catch and review at other festivals.

Feel free to click on the links below and read what we thought of these earlier iterations, keeping in mind that festival shows are ever evolving beasts that change and develop over time, so the new version may be quite different to one we saw.

See a favourite off the telly, See someone you’ve never heard of. Most of all have a wonderful time and keep an eye on Squirrel Comedy as the new reviews roll in and we keep you up to date on what’s happening via our Social Media.

Previously Reviewed Shows:

The Bear Pack
Phoebe O’Brien’s review from Edinburgh Fringe 2017 : https://www.squirrelcomedy.com/?p=11820
Booking details:
https://www.comedyfestival.com.au/2018/shows/the-bear-pack

Ben Volchok Presents…
Lisa Clark’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12001
Booking details:
https://www.comedyfestival.com.au/2018/shows/ben-volchok-presents

Chris Lassig Dr Chris’s Theory of Everything
Conor Merrigan-Turner’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=11940
Booking details:
https://www.comedyfestival.com.au/2018/shows/dr-chris-s-theory-of-everything

Elizabeth Davie – Super Woman Money Program
Lisa Clark’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=11987
Booking details:
https://www.comedyfestival.com.au/2018/shows/super-woman-money-program

Geraldine Hickey – It’s My Show
Lisa Clark’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12005
Booking details:
https://www.comedyfestival.com.au/2018/shows/it-s-my-show

Hit By A Blimp – I’m Here
Colin Flaherty’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=11906
Booking details:
https://www.comedyfestival.com.au/2018/shows/i-m-here

Impromptunes
Elyce Phillips’review from Melbourne Fringe 2013: https://www.squirrelcomedy.com/?p=5083
Booking details:
https://www.comedyfestival.com.au/2018/shows/the-completely-improvised-musical

Laura Davis – Ghost Machine
Elyce Phillips’review from MICF 2013: https://www.squirrelcomedy.com/?p=8543
Booking details:
https://www.comedyfestival.com.au/2018/shows/ghost-machine

Lauren Bok – Between a Bok and a Hard Place (Originally performed as A Bok In Progress)
Colin Flaherty’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=11903
Booking details:
https://www.comedyfestival.com.au/2018/shows/lauren-bok-between-a-bok-and-a-hard-place

Luke McGregor – Almost Fixed it
Lisa Clark’s review from MICF 2017: https://www.squirrelcomedy.com/?p=11056
Booking details:
https://www.comedyfestival.com.au/2018/shows/almost-fixed-it

Matt Harvey – War of the words
Conor Merrigan-Turner’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12035
Booking details:
https://www.comedyfestival.com.au/2018/shows/war-of-the-words

Phil Wang – Kinabalu
Colin Flaherty’s review from Edinburgh Fringe 2017: https://www.squirrelcomedy.com/?p=11627
Booking details:
https://www.comedyfestival.com.au/2018/shows/phil-wang

Political Asylum Comedy – Late Night Riot!
Angela East’s review from MICF 2017: https://www.squirrelcomedy.com/?p=11271
Booking details:
https://www.comedyfestival.com.au/2018/shows/political-asylum-late-night-riot

Rob Hunter – Late O’Clock
Andrew Holmes’review from MICF 2012: https://www.squirrelcomedy.com/?p=1380
Booking details:
https://www.comedyfestival.com.au/2018/shows/late-o-clock

Sean Bedlam – Death to America
Colin Flaherty’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12011
Booking details:
https://www.comedyfestival.com.au/2018/shows/death-to-america

Soothplayers -Completely Improvised Shakespeare
Lisa Clark’s review from Melbourne Fringe 2015: https://www.squirrelcomedy.com/?p=9433
Booking details:
https://www.comedyfestival.com.au/2018/shows/completely-improvised-shakespeare

Snort With Friends
Elyce Phillips’review from MICF 2017: https://www.squirrelcomedy.com/?p=11053
Booking details:
https://www.comedyfestival.com.au/2018/shows/snort-with-friends

Wanda and Mel
Lisa Clark’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12008
Booking details:
https://www.comedyfestival.com.au/2018/shows/wanda-and-mel