A Couple Decides What to have for Dinner by James Hazelden

By Lisa Clark

There’s comedy for everyone at The Melbourne International Comedy festival. Here there is no standup, impro or clowning. Instead we have a terrific short comedic play in which we witness a conversation on a couch between a married couple who know each other very well… or do they?

A Couple Decides What to have for Dinner is written and directed by James Hazelden and stars Amanda Buckley and Chris Saxton as the deciding couple. Its not hit you over the head obvious, but Chris Saxton is very much the hapless silly sidekick to Amanda Buckley’s savvy straight gal. A husband/wife dynamic familiar to most sitcom fans.

It’s lovely to have theatre troupes in Melbourne with their own style and Mystery Radio Theatre does dialogue based theatrical shows that are also funny. So it’s not surprising that this show might make a pretty good radio show, as the couple never leaves their couch and rarely look away from a TV, whose programs cannot be particularly entertaining, as they talk all the way through whatever is on. It’s a very simple set and a play that can be easily staged with only two actors.

The play does what it says on the box, an entertaining exploration of a middle aged couple’s relationship while they spend an hour deciding what to have for dinner. The bickering can get a bit much here and there, and may be a little triggering for people brought up in abusive households, but it mellows as the couple shares interesting anecdotes and gossip and never crosses the line to anger or abuse. Unlike the abhorent and shouty Who’s Afraid of Virginia Woolf we are presented with a couple who love each other, though there is annoyance and teasing, but they remain reasonable (if exasperatingly so at times) with no hot anger or nastiness. There is some getting to know one another throughout the play which deepens their relationship rather than pulling it apart.

I think this play actually helped me understand Waiting for Godot a little. The famous play where nothing happens, reflecting on the mundane interactions of life, how life isn’t all about the exciting stuff, mostly it’s just waiting or  having the same conversations going round and round eternally. Where Godot was so boring that people angrily walked out of early performances,  A Couple Decides What to have for Dinner does it in a relatable modern context with warmth, laughs and a cracker of a joke at the end.

This show is having a short run at The Butterfly Club until Sunday March 30 so get in quick before it ends.

https://www.comedyfestival.com.au/browse-shows/a-couple-decides-what-to-have-for-dinner/

 

5 good reasons to see TriAngel

1. The cast!

Collectively they have over 60 years of improv experience between them, hailing from 3 of the worlds best commonwealth states. Yikes! Individually they’ve toured locally and internationally as improvisers and teachers, and have extensive experience with all of Melbourne’s top improv companies: Impro Melbourne, The Big Hoo-Haa Melbourne, Impromptunes and Improv Conspiracy.

2. The music!

Award-winning musician Jamie Burgess adds his musical magic to all the songs. They may be improvised, but boy will they be catchy, ticking all the pop-trope boxes and using titles provided by the audience, promising a unique experience with a guaranteed earworm each night!

3. Nostalgia!

TriAngel is a chance to relive your childhood pop fantasies and get up close and personal to that It-girl band you never knew.

4. Improv!

You get a unique performance every night, where your suggestions will help create the story and the music. No two shows or songs are the same.

5. Sparkles!

Hoo-boy! There has been so much cash spent on glitter and sparkles that this makes TriAngel the most flammable show of the festival! If it couldn’t be done with a hot glue gun, it couldn’t be done.

Amanda Buckley, Amy Moule and Candice D’Arcy perform TriAngel at Trades Hall from Sept 12 – 20

https://melbournefringe.com.au/event/triangel/

Melbourne International Comedy Festival 2018 – Previously reviewed shows

The 32nd Melbourne International Comedy Festival has been officially

Lano & Woodley

Launched for 2018. Hosted by comedy legends Lano & Woodley, their reunion this year, after 12 years apart, in their new show Fly is one of the big thrills causing quite a buzz in a gigantic, exciting programme. There are more than 620 shows in this years festival. Some of the shows are encore performances and others that we Squirrels managed to catch and review at other festivals.

Feel free to click on the links below and read what we thought of these earlier iterations, keeping in mind that festival shows are ever evolving beasts that change and develop over time, so the new version may be quite different to one we saw.

See a favourite off the telly, See someone you’ve never heard of. Most of all have a wonderful time and keep an eye on Squirrel Comedy as the new reviews roll in and we keep you up to date on what’s happening via our Social Media.

Previously Reviewed Shows:

The Bear Pack
Phoebe O’Brien’s review from Edinburgh Fringe 2017 : https://www.squirrelcomedy.com/?p=11820
Booking details:
https://www.comedyfestival.com.au/2018/shows/the-bear-pack

Ben Volchok Presents…
Lisa Clark’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12001
Booking details:
https://www.comedyfestival.com.au/2018/shows/ben-volchok-presents

Chris Lassig Dr Chris’s Theory of Everything
Conor Merrigan-Turner’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=11940
Booking details:
https://www.comedyfestival.com.au/2018/shows/dr-chris-s-theory-of-everything

Elizabeth Davie – Super Woman Money Program
Lisa Clark’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=11987
Booking details:
https://www.comedyfestival.com.au/2018/shows/super-woman-money-program

Geraldine Hickey – It’s My Show
Lisa Clark’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12005
Booking details:
https://www.comedyfestival.com.au/2018/shows/it-s-my-show

Hit By A Blimp – I’m Here
Colin Flaherty’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=11906
Booking details:
https://www.comedyfestival.com.au/2018/shows/i-m-here

Impromptunes
Elyce Phillips’review from Melbourne Fringe 2013: https://www.squirrelcomedy.com/?p=5083
Booking details:
https://www.comedyfestival.com.au/2018/shows/the-completely-improvised-musical

Laura Davis – Ghost Machine
Elyce Phillips’review from MICF 2013: https://www.squirrelcomedy.com/?p=8543
Booking details:
https://www.comedyfestival.com.au/2018/shows/ghost-machine

Lauren Bok – Between a Bok and a Hard Place (Originally performed as A Bok In Progress)
Colin Flaherty’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=11903
Booking details:
https://www.comedyfestival.com.au/2018/shows/lauren-bok-between-a-bok-and-a-hard-place

Luke McGregor – Almost Fixed it
Lisa Clark’s review from MICF 2017: https://www.squirrelcomedy.com/?p=11056
Booking details:
https://www.comedyfestival.com.au/2018/shows/almost-fixed-it

Matt Harvey – War of the words
Conor Merrigan-Turner’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12035
Booking details:
https://www.comedyfestival.com.au/2018/shows/war-of-the-words

Phil Wang – Kinabalu
Colin Flaherty’s review from Edinburgh Fringe 2017: https://www.squirrelcomedy.com/?p=11627
Booking details:
https://www.comedyfestival.com.au/2018/shows/phil-wang

Political Asylum Comedy – Late Night Riot!
Angela East’s review from MICF 2017: https://www.squirrelcomedy.com/?p=11271
Booking details:
https://www.comedyfestival.com.au/2018/shows/political-asylum-late-night-riot

Rob Hunter – Late O’Clock
Andrew Holmes’review from MICF 2012: https://www.squirrelcomedy.com/?p=1380
Booking details:
https://www.comedyfestival.com.au/2018/shows/late-o-clock

Sean Bedlam – Death to America
Colin Flaherty’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12011
Booking details:
https://www.comedyfestival.com.au/2018/shows/death-to-america

Soothplayers -Completely Improvised Shakespeare
Lisa Clark’s review from Melbourne Fringe 2015: https://www.squirrelcomedy.com/?p=9433
Booking details:
https://www.comedyfestival.com.au/2018/shows/completely-improvised-shakespeare

Snort With Friends
Elyce Phillips’review from MICF 2017: https://www.squirrelcomedy.com/?p=11053
Booking details:
https://www.comedyfestival.com.au/2018/shows/snort-with-friends

Wanda and Mel
Lisa Clark’s review from Melbourne Fringe 2017: https://www.squirrelcomedy.com/?p=12008
Booking details:
https://www.comedyfestival.com.au/2018/shows/wanda-and-mel

Wanda and Mel

By Lisa Clark
Wanda and Mel

Wanda and Mel is a backstage musical of sorts, a Mother/Daughter cabaret act doing a tour of regional towns of Victoria with some drama and a lot of laughs. A generation gap story about a new generation.

Amanda Buckley has been performing around Melbourne’s comedy and improv scene for a long while and is well cast as the stage mother, Wanda. She not the usual stage mother monster as portrayed in Gypsy but more sympathetic as a well-meaning woman who has had her own burgeoning career thwarted by circumstances and now in middle age is giving it another go with her talented daughter along as a side kick. Wanda is so full of energy and positivity that it makes the audience laugh and is fairly infectious. But we can also see that it could be exhausting and embarrassing for a teen.

The incredibly talented but properly socially awkward Mel is played beautifully by Kaliya Arumugam. Her job is to embody the laconic, millennial, phone obsessed teen offstage while singing and dancing her butt off onstage. Mel probably looked up to and adored her mum as a kid, wanting to be like her but now in her teens is sick of wandering with her mum and trying to discover herself and what she wants to do with her own future.

The songs are all famous tunes with new, comedic lyrics written all about current hot topics like climate change, marriage equality and Misogyny. It’s a pity that the music isn’t all fresh and original, but this is just the sort of thing that might be performed in regional schools by a cabaret/musical comedy act. They are all very funny (and not in an ironic way) and the choreography is particularly impressive and well executed. Some of the songs less so, particularly when they require the lower register which neither performer was able to master, maybe a musical retooling of these bits or even taking out one of the songs may have helped (one particular deep one didn’t seem important to the show). There were some glitches on opening night but these were mostly dealt with beautifully with much humour and Amanda’s impro experience coming to the fore turned them into show highlights.

Wanda and Mel is well acted and well danced with a lot of enthusiasm and packs in some timely political messages in an easily digestible way. This is a fairly sweet and funny bit of musical theatre you can bring the whole family to. I could see this actually going over well in regional towns. It’s a bit daggy and old fashioned, but like Wanda herself it is also well meaning, positive and joyous.

Wanda and Mel is on at The Butterfly Club until October 1

https://www.melbournefringe.com.au/event/wanda-and-mel/